P.O.D. History and General Information
1. Is P.O.D. Christian?
2. Is P.O.D. Rastafarian?
3. What does "Payable On Death" mean? How did they pick that name?
4. How did P.O.D. get together?
5. How did they become Christians?
6. What does "Jah" mean?
7. What are the names and dates of P.O.D.'s albums and releases?
8. Do P.O.D. cuss?
9. Why did P.O.D. thank non-Christian bands in their dedications?
10. Why does P.O.D. tour with non-Christian bands?
11. Is P.O.D. a band for Christians only?
12. Has P.O.D. lost their heart for preaching on stage?
13. Has P.O.D.'s music gone soft?
14. Who are the "Warriors?"
15. What does their logo/the Triquetra/the Trinity mean?
16. Are tattoos and piercings a sin?
17. What is the nationality of the band members?
18. What happened to Marcos?
19. Who is Jason Truby?
20. Who are some of their musical influences?

The Music
Albums

"Snuff the Punk"
21. What is the extra song after "Every Knee"?

"Brown"
22. What does BROWN stand for?
23. What is the music for the "Intro" and "Outro" on Brown from?
24. What does "Selah" mean?
25. What is being said in "Punks Rock"?
26. Who is the other singer in "Breathe Babylon" and "Seeking the Wise"?

"The Fundamental Elements of Southtown" questions
27. What does the cover of Fundamental Elements represent?
28. Why do copies of TFEOS in Christian stores have some of the cover blacked out?
29. What is the meaning of "Bullet the Blue Sky"?
30. What is the name of that hidden musical piece after "Outkast"?
31. What is being said in "Psalm 150"?

"Satellite" questions
32. What is on the Satellite Limited Edition CD & DVD?
33. What is being said in "Guitarras de Amor"?
34. Why are there some extra lines in the liner notes for "Ridiculous", but they aren't sung?
35. What does Sonny say at the beginning of "Boom"?
36. What does the song "Satellite" mean?
37. What does the song "Anything Right" mean?
38. How did they write "Youth of the Nation"?
39. Who are the other singers in "Ridiculous", "Without Jah Nothin'" and "Anything Right"?
40. What does Christian say in Swedish at the end of "Anything Right"?

"Payable On Death" questions
41. Why have some Christian stores banned "Payable on Death"?
42. What does the cover of “Payable On Death” mean?
43. What do the words inside “Payable On Death” mean?
44. What are those four symbols in the CD insert?
45. What is the meaning of "Will You" and its video?
46. What is the song “Space”? How can I download "Space"?
47. What does 1904 and 619 mean?
48. What are the art cards in “Payable On Death”?
49. What is this second disc in the CD case?
50. How can I see the 50 minute DVD features?
51. Who is Phil Keaggy?

"Testify" questions
52. Is P.O.D. awesome?
53. Who are the other singers in "On The Grind"?
54. What happened to the songs "New Wave", "Autumn", "ESPN", and "Brother's Keeper"?

Music Video questions
55. What happens to the band's shirts in the Southtown video? They seem to change often.
56. Who are all of the pictures of in the Youth of the Nation video?
57. What is the Alive video about?
58. Why is there a censored and an uncensored version of the Alive & YOTN videos?
59. What is the meaning of "Sleeping Awake" and its video?

Other song questions
60. Are there any differences between the album versions of Draw the Line, Lie Down, Southtown, Breathe Babylon, or Full Color and the other CDs they appear on?
61. What is being said in the background of Set Your Eyes to Zion, Hollywood, Bullet the Blue Sky, Alive, Coming Back, and Three in the Power of One?
62. What is the song "Can't Play me Out"/"Don't Ever Play me Out"/"Can't Ever Play me Out"?
63. What is the song "Critic"?
64. What are all of these other P.O.D. songs listed at the end of the movie "Any Given Sunday"?
65. What is the song "Christmas in Cali"?
66. What is the song "Cain"?
67. What brands of instruments do they play?
68. How do they go about the writing process?
69. What is the Limited Edition Bonus CD?
70. What is "The Warriors EP volume 1" and "The Warriors EP volume 2"?
71. What is the movie "The Warriors"/Where is this clip at the beginning Limited Edition Bonus CD originally from?
72. Was P.O.D. ever on Tooth and Nail records?
73. Who is on the song "Why Wait?"?
74. Who are the other guys on stage with them?

Etcetera
75. Where can I buy the shirt Sonny wears in the Alive video?
76. Where can I buy the "Truth Seeker" hoodie Sonny wears?
77. Did Traa cuss in "Guitar World"?
78. Why does it look like the man is doing the "devil sign" on the cover of TFEOS and why do P.O.D. "swear" with that two finger symbol (middle and index finger)?
79. Why does Sonny wear an armband?
80. How can I get on the street team?
81. How can I get backstage passes/tickets/meet P.O.D.?
82. Didn't Sonny used to have a labret piercing?
83. Why isn't the School of Hard Knocks video on the Still Payin Dues DVD?
84. How can I access the pictures on the Still Payin' Dues DVD?
85. Where can I get the "TagsXtreme" font (the font used on TFEOS)?
86. How did Wuv, Sonny, Traa and Truby get their nicknames?
87. Are there any hidden features aka "easter eggs" on the DVD?
88. How does one pronounce "Traa","Wuv", and "Truby"?
89. Who is this Terry Watkins that accuses the band of being hypocrites?
90. Does P.O.D. drink?
91. What is Zion Noiz?
92. Who is Daniel Martin Diaz?
93. What does "I and I" mean?

Warrior Klan FAQ
1. Why the name "Warrior Klan"?
2. How can I be a part of the Warrior Klan?
3. How do I submit my P.O.D pictures, stories, and/or ideas for this site?
4. How does the Warriors behind the scenes section work?
5. Who is behind the scenes at warriorklan.com?
6. Will the band P.O.D. themselves or their family ever see my submissions sent to the Warrior Klan site?

Message Board questions
1. Does P.O.D. ever post on the message boards?
2. How do I post a picture?
3. How do I post a link?
4. How can I be a moderator?
5. Who are INFOMAN, B. Baltimore Brown and ATLANTIC RECORDS?

Sonny and Wuv stood up in front of the executive staff at Atlantic Records and shared about their faith and vision to continue bringing their message to the world.In the meeting Sonny said, ‘I believe in Jesus Christ. I will never back down from my faith... We know that no matter what happens, our name is good on the streets. You can ask anyone and we are good with the people in the streets. We do this in a way that even our own kids will look back and be proud.’ - INFOMAN E-mail, June 29 2005

"You know, I don't want people to remember me because I played rock music, but because I love God with all of my heart, mind, soul and strength... We work with the record label, but what's really important is that we have to put our trust in God." - to HM Magazine, 20th Anniversary Edition, summer 2005

"We're Christians 110 percent, without a shadow of a doubt. We're not trying to hide anything...but we make our music for everybody." -Sonny January 2001 CCM

"Others might say, 'Ahhh! P.O.D., the sellouts!' Sell out to what? We never had your support in the first place!" -Sonny

Excerpt from Revolver Nov/Dec 2001: "Much has been made in the media of P.O.D.’s Christian faith... it is impossible to discuss songs like 'Christ' [now called 'Portrait'], "The Messenjah" and "Anything Right" without mentioning the band's spiritual beliefs - or more specifically, the hammering that they've taken on both sides of the Christian/secular divide for daring to articulate their love for Jesus Christ in a hard-rock context. 'We get the people who say, 'oh they're Christian rock, dude, don't listen to them,' ' says Sonny. 'And then we get people who say we're not Christian because our beliefs don't match perfectly with theirs.' 'We go around the country and meet all these Christians who expect us to be like them,' adds Wuv. 'And we're not -- we're just people who love God. We're not holier-than-thou. So, with the song 'Christ' it's like, 'here's our picture of Christ.'" "

The lyrics talk about what we've come to know in our faith in Christ," Sonny explains, "and also the hypocrisy we see in a lot of people who call themselves Christians."

"It's a healthy sign that P.O.D. can joke about shoving Christianity down other people's throats; these days, if someone isn't accusing the band of doing just that then they're accusing them of not being Christian enough. 'We're not going out there with a cause' insists Wuv, 'we're going out there to tell our life story-who we love, and what makes us people. That's what we do. But people really wanna make an issue out of it. They always do.' " -Revolver, March/April 2002

The God that P.O.D. worships, as expressed in the band's music, is a loving and benevolent Creator, as opposed to the god of wrath so popular with tele-evangelists, right-wing politicians, and those who represent heaven by firebombing abortion clinics.

"We’ve always thrown love into the picture," says Sonny. "Ultimately we believe that God is love, and if we can just get people to grasp the foundation of love, they're gonna make it - you know what I’m saying? They’re gonna be alright."

Our songs are very passionate about what we believe in, says Bernardo...We talk about Jah, we talk about love, we talk about being better people. How do we do that? We love God, and we try to live that way...We have fun, but we also use the biggest mic we can to tell people our story. And our story is, 'dude, if you hit the dumps, we've got something that might give you some joy.' - Blender Oct/Nov 01

I don't care what Christian groups think of me. I just want to represent who I am: a guy who at one point fell on his face and asked God for direction (says Sonny). We don't fit in with the conservative values of Christian America, Bernardo adds. For us, its all about a relationship we have with God. Its about what God has done for us individually, not what he's done for our church. -SPIN Oct 01

"Yeah, we have spiritual beliefs, but it's an individual thing. We never said anybody has to like us. We've had to work twice as hard to come this far, and we're as bad and heavy as anybody." - Traa to Bass Player, Dec 2003

"Sometimes as hard as I want to be on people that are questioning our faith, I know that deep down inside there's a genuineness to it," Sandoval added. "They go and interview a hundred bands, and its the same old rock n' roll handbook story. We just tend to stand out in this genre of music. All of the people that we're playing with are depressing, they're angry, they're searching, they hate the world or its 'sex, drugs and rock 'n roll.' Then you have P.O.D., and its all about good vibes. I just think we tend to stand out on our own whether we're labeled 'Christian' or not. ... It's God who's blessed us." - Relevant Magazine, Nov/Dec 2003

liveDaily: So much seems to get written about the Christianity angle, but you guys aren't preaching to everybody. Sonny : We've never denied our faith or anything--that's something that's with us, with or without rock and roll. All of a sudden people were making an issue out of it. If you are genuine and you want to sit down and talk heart-to-heart, and you care, then we could talk about it. I truly love that. But I don't want people to not give the music a chance and go, "Oh, I'm not a Christian," or "I don't believe the same, so I can't listen to it." No, it's rock-and-roll music. We've proven ourselves in the past 12 years, I don't know what else to say. If anything, it doesn't help. It hinders people from buying the music. You never hear the Beastie Boys as Buddhist hip-hop. They were wild party guys, and all of a sudden they find something that's real and shoot it in there--you never heard, "Oh, now they're Buddhist hip-hop." We've never used our faith to market anything. I don't know who said there was "rock" and then there's "Christian rock," but I think you should give credit and respect to the people who are singing about what they feel, and not just what everybody wants to hear.

liveDaily: Some quote-unquote "good" Christians even bash you that you actually don't have enough faith. That's pretty harsh. Sonny: Sometimes, you can't win. You'll never be good enough, or you'll never live up to somebody else's expectations of what your faith is about. It's sad, man. The bottom line, this is me. I'm the man that makes the decisions in my life, and the next man has to do that for himself.

No, They are Christians...

"...It's not Rastafarianism, its being around so many different cultures & styles, for example...we grew up in south S.D. where there are many different nationalities & religions also heavy drug use & etc... so our perspective about life & God is seeing it first hand ….We've seen God change our parents' lives & our friends' so there is nothing that can take that away & its as if our up bringing has given us a foundation in what we believe cause we seen it first hand!" - Wuv's sister

GW: Did reggae music influence your approach to presenting a spiritual message through music? Sonny: I think it definitely had a lot to do with it. For me, reggae music was always peaceful. So I think, growing up, reggae music always kept me a peacemaker. I never listened to "kill your mother" and pimp and ho" type of music. Like today, a lot of that kind is out there for kids to listen to. And they imitate a lot of what they hear. But back then I'd listen to a lot of reggae music, and it was 95% scripture-based. Just stories from the Bible about God watching out for you. So I always had a good mentality that kind of sunk in. When I started making music, it was just an expression of that.

GW: Can you reconcile Christianity with Rastafarianism? Sonny: With Rasta, a lot of it is scripture-based. People walk around singing Bob Marley lyrics, but they don't even know he got that from Psalms or Proverbs or something. The Rastas just kind of twist scripture their own way. But as far as morality, it's the same. And they believe in Jesus Christ just like we do. But they believe that the Second Coming of Christ was Haile Selassie. They believe the Second Coming already happened. So there's differences. (*shrugs*) They smoke a lot of herb, you know? It's a spiritual thing. -GuitarWorld, Nov 2001

Checkout.com: How do you compromise the gentle side of your spirituality and the aggressiveness of your music? Sonny: Our faith is what drives us to be even crazier. That's what motivates us. When we get on stage, it's so personal that we've been given that opportunity to praise God on stage. Even if the crowds don't get into it, that's 30 minutes on stage between God and us. And it pushes us even more. At the same time, our message isn't about complaining or whining or you do this, you do that. It's about love. It's all about positivity. There is a balance in there, we take what God's done with us and we use that on stage.

"I think Rasta and Christianity have come very close together except, you know, obviously the different beliefs of the second coming of Christ and who Christ was," Sandoval explains. "You listen to Marley's tracks and a lot of old-school reggae music, and 95 percent of that is straight scripture. They're telling old Bible hymns and stories about Moses and Noah and Elijah. And now I realize that whenever I've had fights or troubles, I've always looked for peace first. And it's because of a lot of the reggae that I'm listening to is about choosing to accept peace and love rather than hate. So I figured why not incorporate more of that style in our music." - MTV.com 2003

The band wanted a long name since so many bands at that time had short names. Wuv's girlfriend-now-wife worked at a bank, and suggested the name. It is a banking term that means when someone passes away, their belongings go to their heir. To the band it means that our sins were paid for on Jesus' death and He gave eternal life as an inheritance.

Clear Channel: Where did you come up with the name of the band? Wuv: "Payable On Death" is a banking term that refers to someone being the benefactor of what people leave behind when they die. We have given our lives to God with the promise of life after death, so that's what that means for us.

CH1: Tell us about your beginning in music. When did you start playing? Wuv: Actually, Marcos and I started the band. We played together before P.O.D. -- I met him through a friend in high school. I played drums with all the kids, and my dad played, too. We just got together and started having fun. Sonny -- he's my cousin -- was always coming to shows and hanging out and just doing his thing. Around that time, his mom passed away with cancer. She was 36 years old and he was 18 or 19, and I kind of saw how depressed he was getting so I just said to him, "Hey man, if you want to get your mind off your mom, if you want to come try out and sing in the band, that'd be cool." He was like, "Yeah, maybe I'll try that." And that was 10 years ago. So it's funny. He never tried to be a singer, but through all the years of just plain having fun together, he's developed into who he is today, and I think it's amazing. Just awesome.

Teenmag.com: Tell me, when you started the band, was it just kind of for fun or did you always plan on making music a career? Wuv: We just started out having fun in the garage. Me and Marcos met through a friend in high school. I was in eleventh grade, and he was like in tenth grade. So we just had fun, just playing, and even when my cousin joined the band, it was still the same thing. It was never like, 'Dude we got a shot at this, man. I can tell we got something.' It was never like that. I mean, ever. I still think it's not like that. It just turned into that, over the years. Like I said, everything that happens now is like a bonus.

MTV Radio Network: When did you guys get started? Wuv: Marcos and I got together about nine years ago when we were in high school. We met through a friend, and we got together and started jamming in a garage and playing crazy stuff for all our friends. Then Sonny was doing something with hip-hop with some of my other friends, and we asked him to try to blend in some hip-hop flavor with our stuff. We borrowed Traa from my uncle's funk band, and he never left, and it's been P.O.D. ever since then. Marcos: We borrowed him and kept him. W: Yeah, we borrowed him, then we stole him.

Wuv: "My dad was one of the biggest drug dealers in south San Diego," Wuv reveals. "He was living on the streets for three years before God actually touched his heart. After that, he would bring me to church and I started to see God change my dad's life. Also, God totally restored my parents' marriage."

Warrior Grrrl : How did you come to know the Lord?
Sonny: Ultimately just when my mother passed away. She was a Christian, and just watching God move through her life. Her being sick, and watching her example of being a Christian through all she was going through. And I was basically faced with the decision, I had to make a choice right there whether I was going to trust in God or not. I chose to trust in God and believe in Him, and it's been almost 7 and a half years later and I've just continued to stand strong.

WG: Before your Mom died, did she know that you had become a Christian?
Sonny: Yeah. What actually opened my eyes was that I remember when she was sick, one time she pulled me aside and she said 'you might be fooling everybody, but you're not fooling me. I want to know one thing, I want to make sure that you're in Heaven with me when I die.' I was like 'mom, don't talk like that.' She said 'no, when I die I want to make sure that you and your sister are going to be in Heaven with me.' I just said 'yeah, cool mom. I know.' I just always remember that, and then she got sick and she had to be in the hospital and she was dying. I remember that she was hanging on for a week and the doctor said that she was going to die any moment. He would say that every day and she just kept hanging on. Finally I realized that she was holding on because she knew that if she was to die that she would never see me again, because I wasn't right with the Lord. So I saw that, and, I recognized that and I went out and just prayed and asked God to come into my life. Then I went back into the hospital and I whispered into her ear 'go and be with Jesus, it's cool now; it's gonna be all right.' It was only moments later that she took her last breath and went to be with the Lord. I knew that God was faithful to her prayers, because I knew that she had been praying for me for a long time, and I knew that God was faithful to the very last moment.

"My mother was a Christian in her later years," he (Sonny) says. "She loved God and trusted in God to her very last dying breath. She would sing worship songs while laying there in her hospital bed, and for me, I had never seen a more beautiful thing. She knew that she was going to die, but she always had a song in her heart, and she thanked God for the moments that she had. At first I thought I was practicing just for her, so that she wouldn't worry about her son. But the more I got into it, I realized that there is a love." Kerrang! Jan 12, 2002

After Wuv's family turned to spirituality, the Sandovals followed suit. Sonny's mom started reading the Bible and encouraged her kids to seek salvation. At first Sonny wasn't interested. Then his mom was stricken with cancer and died. "I was sitting there watching her suffer," he remembers, "and I said, 'What's the purpose? Why does anything matter?' "When I reached than moment of being at rock bottom," Sandoval says, "I prayed to God. ... That was the point where I said to myself, 'Enough messing around, enough goofing off and getting into trouble. There's more to life than just little old me. I need to do something that means something and find something real.' " - MTV.com

Psalm 68:4 "Sing unto God, sing praises to his name: extol him that rideth upon the heavens by his name JAH, and rejoice before him."

Jah is actually Hebrew for "the Lord," only there is no "j" sound in the Hebrew alphabet and it sounds like the "y" sound, so it's actually Yah in Hebrew. Whenever the Bible says "hallelujah" it's saying "praise the Lord". Jah=the Lord. For proof besides an ancient Hebrew study read along to Psalm 150 while listening to it on the TFEOS CD.

1994: Snuff the Punk
1996: Brown
1997: Live at Tomfest
May 4, 1999: The Warriors EP Volume 1
August 24, 1999: The Fundamental Elements of Southtown
September 11, 2001: Satellite
November 4, 2003: Payable On Death
November 15, 2005: The Warriors EP Volume 2
January 24, 2006: Testify

An Interview with Sonny
"Do you drink, smoke, do drugs, or swear, for instance?
No, see that’s what I’m talking about. Those aren’t even issues; you know what I mean? But like I said, what if one day I stubbed my toe and said something and all of a sudden somebody said, "Oh my God! He just said the F-word." But it’s like, "Hey dude, I know the word. I’ve said it before." Definitely it can come out, but that’s something that I choose every day not to talk like that.

Is it something you want to keep in the past?
Yeah, definitely. That’s nothing new to me. It’s not like I’m going to melt if I’m in a room with a bunch of guys, a bunch of sailors. That’s a choice that I make. To say, "Hey dude, do I want to sound that way, do I want to say those words?" Or [do I hope everything that] would come out of my mouth would be positive? I’m going to do the best that I can not to swear, but if I do, don’t go and change your whole life around because of it."

When you get help or inspiration from somebody, it's only right to thank them. P.O.D. was inspired by these artists musically, so in a way they helped with the album, and so they deserve some thanks. The fact that they are secular bands makes no difference to the fact that the guys were inspired by their music, so they still deserve thanks. Just as a Christian band may help them, so do secular bands. It would not be right to just pretend that they didn't help and not thank them. When a non-Christian friend does something for you, it would just be odd and rude not to thank them.

Sonny: "I think a lot of times when we do Christian shows. Let’s say a Christian festival, and 99.9 percent that come out are Christian. I think there’s a little bit more intimacy, because we are there for the same reasons, the same purpose and there is that intimacy that breaks down the music. Maybe share a story or say what’s on our heart. But when you’re playing at a club, you got 45 minutes. That’s when we don’t want to come down on people. We don’t want people walking away saying, 'Well, I really like those guys, but they talk too much.' or, 'They try to convert me to their religion.' We know that backfires against us. Our goal is that you walk away not just saying, 'Wow, those guys rock.' We hope those guys walk away saying, 'Dude, those guys are cool. Dude, they really rock the crowd, but those dudes are talking about things positive. Those guys are talking about love and everlasting life. They were talking about God of love.' We want them to walk away thinking for themselves. Not necessarily because they were forced. You know, we gotta be careful. 'Cause I can go out there and say, 'Hey man, God bless you guys,' and all of a sudden I have an angry mob at me because I said that. So I have to watch it. But if it calls for it, I’m definitely not ashamed. I’m not afraid to stop a crowd. And it’s up to you what you take [from it]. But at the same time, when we go on the Primus tour, dude, they’re paying money to see Primus and P.O.D., so I’m not going to rob them of that either. I hope that they do enjoy the show. But I don’t want them walking away saying.. 'Hey, I paid for a show. I didn’t pay for a…speech...'

Interviewer: A lecture?
Sonny: Yeah, exactly. But at the same time it is our heart’s desire that they don’t walk away just thinkin’ 'Wow, those guys rocked.' And toast their beers to us and just say, 'Wow' and go into the pit and knock somebody out. We want them to leave and say, 'Man, those guys are different than all the other bands.' "

Ozzfest from Sonny’s perspective, from the Teen People summer 2002 issue:
"That's all media hype. At Ozzfest there's a line. (Drawn an invisible line on the floor) Here's backstage and here's the crowd. If you stand out there and look up at the stage, you see the demons and gargoyles and all the garbage that they're selling, and you think, 'Ooh, this is some crazy stuff!' But when you're on this side, they're eating gourmet meals five times a day, they've got their personal trainers in the back, their therapists, everybody's lounging. But right here (at the line), that's where they sell it to everybody. It's a joke to me. People who can preach something so negative, so worldly and so lost- and your life's in shambles! How dare you tell these impressionable kids what they should do with their lives? So when kids want to know about my experience, I'm like, 'Hey dude, no one sold anything to me.' I felt something that was real, and 11 years later, no one's proved me wrong. I'm blessed."

A lot of Christian kids have a hard time understanding how we can go out into the world and play our music and get along with all these bands, he (Traa) says. Its because of our love for God, says Wuv. God has been so real in our lives that we are enabled to do that. There is no way any band is going to rub off on P.O.D. more than P.O.D. is going to rub off on another band because, dude, we've already been there. - CCM Jan 01

FamilyChristian.com: How do you respond to people who criticize you for playing with mainstream bands or appearing on MTV?
Wuv: For us, we didn't grow up in the Christian environment or anything like that. A lot of Christian kids who do like P.O.D. did grow up that way and a lot of times they don't understand why we're on the Ozzfest or why we're playing with Korn and why we're on MTV. You know what, we're not trying to play for the Christian. It's been almost 10 years that P.O.D.'s been for the people that don't know God. To get to this point where God puts us in front of millions of people that don't know God, that's a dream come true and it's an act of prayer for P.O.D.

What God's doing with P.O.D. is what He's been doing for 10 years and if they don't get it, they don't get it. We're not for them anyway; we're for the people that don't know Him. We get a lot of criticism from the Christian side because of the way we look and because of the people we play with. You know what, if you don't get it then turn your heads because we're really not for you anyway. We're just doing what God's always put on our hearts to do. We love God and all we can do is tell people how much we love Him. And if there's something wrong with that because we don't look the way that they look, then they've got their eyes on us and not God. - FamilyChristian.com

P.O.D. is a band for anyone; they play rock and roll music for all people, not just Christians.

From the SoulBlaze interview: Sonny: Umm not necessarily in the band, I think disappointments are: just always having to deal with the hype of “well, you guys are a Christian band”. We get the stereotype that’s: “o.k. you guys sound like this” or “I don’t want to listen to them because they are Christian”. That is something we are trying to get across to people. We make music for anyone that is going to listen. Anybody and everybody that will listen to our music were that’s what it’s for, because there is a message for everybody whether you are a Christian or whether your not. I think some of the disappointments are that we have had to deal with it for nine years. “They can’t be Christians if they look like that” or “they can’t be Christians if they play that kind of music.”

"At first," says Sonny, "we were militant about our faith, really in people's faces. We used to say, 'I don't care if they kick us off the stage, I'm gonna tell them about Jesus!' But what good did that do? They never invited us back to the club. Then God started to tell us, 'You don't have to fight for me. I fight for you. You just go out there and love them. Love them to Me.'" ~ Campus Life Interview

(Sonny) When we first came out, if you had heard some of our old demos, it’s like “Jesus! What’s up!” you know, “Turn or burn!” (in dry lung). You know what I mean? But that’s exactly what we do, and we had a lot of people. And God continued to bring character. God continued to bring wisdom and show us: you know what, you don’t have to fight for me guys. You don’t have to make a Christian stance for me. Because I stand for you guys. I fight for you guys. Go out there and love these people. Every band member, every band you play with; go out there and love them like I would. Every crowd that you play for; go out there and love them like I would. So, I learned - you know what - I gotta do that. I gotta go out there and worship God with the 45 minutes that he has given me, on and off stage. Don’t get up there. Don’t get up in front of MTV and talk the big Christian talk and end up turning away 99% of the people, but you won that 1% of the Christian audience that said “dude, those guys are right on, brother!” - Soulblaze interview

Our faith plays a lot in our personal lives, but we're a rock-and-roll band. This album is about rock and roll, that's it. - Wuv to AP mag, Nov 01

We always say that if people are turned off by our beliefs, then we've got to be that much better," says P.O.D.'s singer Sonny Sandoval. "They're going to come to the realization that, 'dude, I don't care what these guys are saying- this album rocks! this music is dope!' - Revolver Sep/Oct 99

When we go out there we don't have to read Scripture to make (our faith) known. We have faith that God is going to touch who He plans to touch, whether its one person in the audience or if it's every single person. We have to lead with the faith that God is doing this, not us. - Sonny to CCM Jan 01

No, not at all...they have just broadened their range of music. P.O.D. can’t be classified under one genre nor do they want to. They have mad flavor and they show it on songs like "Ridiculous" and "Ghetto." But their heavier beats are definitely there...look at "Boom," "Anything Right" and "Without Jah Nothin." Our boys will always be heavy... but they are musicians and can play everything!

April 2001 Hit Parader: "We've always been a band that relied on playing what we felt inside," he said. "We've always admired a band like Bad Brains because you knew they were always ready to try anything if they thought it would work with their music. They were one of the first bands to bust punk, hardcore and reggae, and that was dope. That inspired us a lot. We've tried to take all the music we liked- whether it has a Latin feel, a hip-hop feel or a metal feel- and just do it up the best way we can. On the next album (Satellite) we're just gonna try to push everything along the same way. But we like offering up a few surprises too. If people think they've got P.O.D. totally scoped out, we think they're in for some stuff they don't really expect." -Wuv

"Our music has taken on a more organic sound. This album is the result of all of our input, and since we're all coming from different backgrounds, there are a a lot of different styles in there" says Traa. - Bass Player, Nov 2003

A fan of the band who supports their vision and the band in many aspects-

MTV: Let's talk about the Warriors, as your fans are known. Why are they called that?

Sandoval: Because they're loyal. We're thankful for every new fan, but there's a lot of kids [that know us from when] we used to play their back yards. We were playing wherever we could, sleeping on their floors, and they were buying us lunch and dinner. With what we're about and what we stand for ... there are a lot of kids that are proud of us. They were more proud when we got signed than we were. Now, when these kids come out, it's genuine. It's not like, "This is my flavor-of-the-month because they have a hit song." They're coming to our shows to experience what we experience. It's kind of like magic.

Daniels: A lot of them were down with us when the style of music we were doing back in '92 wasn't even cool.

Bernardo: They're responsible for the reaction we get in certain cities. We'll go through the cities we've been playing for eight, nine years, and those kids ... are taking P.O.D.'s name and blowing it up all over the city. Every one of our bus drivers gets mad 'cause we let everybody on the bus. They're constantly looking at the carpet, and we're like, "Dude, we'll clean it up."

It is called a Triquetra or a Trinity. The interlocking, never-ending circles represent the Father, the Son, and the Holy Spirit.

Shoutweb: Can you tell me about the symbol on the CD and on the web site that looks like three interlocking rings?
Sonny: It’s an Irish Celtic symbol that we took from the King James bible. It supposed to represent the Father, the Son, and the Holy Spirit. It’s the trinity – if you can see it’s the three all wrapped in one.
Traa: It has nothing to do with wicca!

No.

Traa is French (Creole), Native American, and African-American. Jason is Caucasian. Wuv has some Filipino, Italian, German, and Guamanian in him and Sonny has some Italian, Guamanian, Spanish and Hawaiian in him.

"But the remaining members of P.O.D. insist that Curiel was simply no longer willing to make P.O.D. his first priority. '...Then at the end of January, we find out that one of us has another band, and he wants to pursue THAT first. Then we get the Matrix gig, and he says 'I can't work on that, because I'm mixing my album.' It's like, Dude, just say what you want to say!"
- Sonny to Revolver, August 2003

He's gone off to do his own thing and he's happier doing that, but it's still a mystery to us. We don't know what happened- we took a break and the next thing we know he's ready to leave. We haven't been in contact since and we don't even know what his band's called. We've had some great times and he's been our friend for 13 years. But you know, when your girl splits up with you it takes a while to be able to hang out. - Sonny, Rock Sound #50

"We've always wished the best for Marcos, and for him to do what he loves" says Sonny. "Apparently, he wasn't loving what we were doing, at least in his mind. I know how much passion and love Marcos has for music, so I hope it allows him to live rather than tearing him apart. Do your thing man!" - Revolver, Dec 2003

liveDaily:Your original guitarist, Marcos Curio, left the band early in the year. It seemed like he had other things on his plate. Sonny: Yeah, he had another band and everything. We've done our best to hold our composure and be as good about it as we can. It's gotten ugly in places. This other guy told me this morning, "It seemed like you guys were brothers, family." We were. That's the honest to God truth. But I've said this business has a tendency to even corrupt the purest things, you know? And when you let pride an ego get in the way, your basic structure can get mixed up. I was thinking, man, here comes February [2003], we're going to write the best record of our careers, it's getting better every day--and all of the sudden I find that somebody I believed in and thought was there, wasn't feeling what we'd created for 12 years anymore. All I can say, he fell out of love with what we were doing. I'd always admired Marcos's passion for music. He's brilliant at what he does. I wish him the best. But I've been in this band half my life, it's my heart and soul. You can't force anybody to stay with you, if they don't want to be there.

Jason was guitarist for the heavy metal band Living Sacrifice from 1990 to 1998, starting when he was only 17. The band was based in Jason’s hometown of Little Rock, Arkansas and his brother Chris joined the band on bass circa 1995. He was on the albums “Living Sacrifice”, “Non-existant”, “Inhabit”, and “Reborn.” LS and P.O.D. would play tour dates together in the early and mid 1990s and one time P.O.D.’s bus broke down in Little Rock so they stayed at Jason’s house. All of P.O.D. agreed at that time that if they wanted a fifth member, Jason would be their pick. Jason left L.S. to spend some more time with his family and to run a music school and landscaping business. When P.O.D. needed a new guitarist they all thought of Jason and so they called him. Once Jason talked it over with his family, he agreed and so they “hit the ground running” and recorded the Matrix Revolution lead single “Sleeping Awake” and began to record “Payable On Death.” Although Jason was not in the band at the time, L.S. played with P.O.D. on a few dates of P.O.D.’s 1999 tour “Warriors Come out to Play” and they played several shows on the 2000 tour “Kings of the Game.”

liveDaily: What does Jason Truby bring to P.O.D.?
Sonny Sandoval: I don't think it's ever been this easy. Jason brings an excitement into the game for us. Especially after the success of the last record, and touring, the industry, it's nice to have a newbie. Somebody that's brand new and has a whole new fresh perspective. And he just has a hunger to play, to be creative and make music with a band. We've been friends with Jason for a long time, and I'm grateful that I've gotten to re-touch bases with him.

How did he come into the band?
He was in a band called Living Sacrifice. We always admired those guys, and went out on tour with them, local clubs in their part of town in the Midwest. We always said, we struggled together, slept on floors together, packed the vans and motel rooms together--we starved together. We always thought he was an incredible player, and respected him as a man. We're just grateful that he was in a position to help us out.

As good as P.O.D. sounded with Curiel, they're now a more versatile group, unafraid to go places many hard rock bands aren't open-minded enough to roam. Truby is "more of a schooled musician" than Marcos was, Sandoval explains, "and he continues to amaze us. When he picks up a guitar and starts jamming, there's so much beauty and melody coming out that it brings out the best in us." "When we first got Jason and we were rehearsing, we were like, 'Man, why does the music sound so full?' " adds Traa. "I looked over at Jason's hands and they were shooting all over the neck. He was playing these multiple chord parts that were amazing. So with Jason it almost sounds like we have two guitar players, even though it's only one." Like his brothers in P.O.D., Truby is a Christian. They met him eight years ago when he was playing in the religious thrash band Living Sacrifice. After Curiel split, Truby was the first and only one they thought to call, and he was happy to enter the circle. "It was really exciting to get that invitation," Truby remembers. "These guys are top of the line professional, and it's really easy to fuse with them. So I just try to add lots of little flavors from different things so everyone can find something interesting to chew on." - MTV.com 2003

To name a few: Bad Brains/Soul Brains, U2, Santana, Bob Marley, Eek-a-Mouse, Primus, The Cars, Cheap Trick, Phil Keaggy, Led Zeppelin, the Police, Black Sabbath, 24/7 Spies, Living Color, Pink Floyd, AC DC, Run DMC, Deftones, Jimi Hendrix, Marvin Gaye, Black Uhuru, Isley Brothers, Metallica, Suicidal Tendencies, House of Suffering, Smooth Ruffness, Steel Pulse, Larry Graham, The Cure, and many more reggae, rock, jazz, and other artists.

21. What is the extra song after "Every Knee"?

The first clip is just P.O.D. singing "Who's in this house? P.O.D.!" and then the CD plays the song "Murder." It wasn't a hidden track on the original Snuff the Punk but the rereleases have it as a hidden track.

Believe, Receive, Obtain, Withstand, Never die

The intro is a clip from LL Cool J's song "I Shot Ya" and the Outro is a clip from Kurtis Blow's song "The Breaks."

It frequently occurs in the Bible, especially in Psalms. It is generally accepted that it is a musical term that means to pause and reflect on what was just said. Read more at: this link and this link.

"I want my french fries! Give me my french fries! I want my french fries! Give me my french fries! I want my french fries! french fries! french fries! Give me my french fries! french fries!

Don't forget my ketchup! Oh where's my ketchup? I want my french fries! where's my ketchup? french fries! Ketchup! French fries! Give me my ketchup! French fries!"

For your other lyric questions, go to TheMessenjah.net and click on "lyrics." 

Warrior Grrrl: Can you explain to us some of the symbolism on the cd cover?
Sonny: You have to look into it. It's artwork, it's actually an oil painting, so it just looks like it's a computer graphic, but it's actually an oil painting. In the original you see the colors that he uses, and the way that he uses things. He actually had a lot more, and he's a surreal artist, he always focus's around surreal characters. You have to see the rest of his art, he always makes weird and crazy objects for you to like, look into. In simplest terms, he's in his room. This is a guy who's a Christian, holding up the I love you symbol; he's got the heart of Christ; he's got the Spirit of God dropping in the Mind of God inside his head. If you look on this wallpaper back here it's Trinity's all linked together. If you look on this side, it's real cold, real gray, this side represents the world. You've got this guy representing the world with the noose around his neck, and he's offering to be like the world, he's got the suit saying "come on, be like us." He's already got the dog trained (in the suit) to be like the world. You've got the angel cutting off the noose around his neck. You've got this angel back here ripping off the wallpaper, that represents the world, and once he's ripping down the world underneath it you have the Trinity's again. You have these two guys (underneath) laughing at him and mocking him for being a Christian. You have this right here (the city underneath) just representing the world and even world religions that say "yeah, we're about Christ, we're about God," but yet have absolutely nothing to do with what God's all about. There's this guy in here, looking through just checking out his life and seeing what he's doing; watching him, all the time. Then somebody told me that the monkey represented this guy chaining up this monkey in his back, trying to keep those struggles and the things that he deals with locked up so that they can't get him. There was a lot more stuff that the guy had into it, but we had to make it all fit on the cd.

WG: What about the monkeys in the guys head? (the one in the suit)
Sonny: That's probably another way that this guy represented the world, and being a part of the world. But like I said, he just paints the coolest things that make you think.

Shoutweb: And the cover art?
Sonny: It’s an oil painting. We gave him all of our ideas and he put it all together. It’s a man that’s trying to separate himself from the world. He’s got the heart of God and a dove that is the spirit of God. He’s in a room like his bedroom. You have to see the real painting. They're darker colors are real gray and the really cold. You have the stone on the walls.

Shoutweb: Did he create this just for you guys?
Sonny: Yeah, we gave him the ideas and this is what he came up with.

Shoutweb: Where is the original painting?
Sonny: He has it. He actually painted the faces inside too and we have those. This guy (pointing to the center figure) represents the world so he’s got the noose around his neck and he’s got the suit saying, "Come on, be like us." He’s already got the dog trained on the little cart. You have the angel cutting away at the rope. Back on the wallpaper, if you look, its all the trinity symbols combined that looks like green wallpaper. When he’s ripping down the wallpaper of the world underneath you have the nature that God has given you.

Shoutweb: Are these opening supposed to represent heaven?
Sonny: People have different interpretations. These people are pointing and mocking him. People have said, "What’s with the wood separated from the body. This looks like Eastern philosophy." We talked to the artist about being rooted and grounded in the word of God so that’s what he came up with. Then the cross is supposed to symbolize the fact that just because it looks like religion it is still of the world. You have a guy looking in either waiting for him to make a mistake or just kind of seeing what’s going on. The monkey could represent God locking up that monkey that gets on your back.

What about your Magritte-ish cover art and the elemental self-portraits on Southtown. What is the message there?
The cover art was from a guy from L.A. who does surreal paintings. It's a guy in the middle of a room by himself. He has the sacred heart inside [which] represents our hearts burning for God. The wallpaper is being ripped off by angels on one side and the other side is a stone wall and a dog with a lasso around his neck. That represents the pure side and the crumbling side, like what civilization can do to you. As for the elements, we wanted to show our different backgrounds and cultures and how they make up Southtown, so we broke it down to the basic elements of fire and water and the like. -sfx.com

There have been several reasons given, one being that the cover looks related to Eastern philosophy, and another it is because there is a cigar on the cover.

The song was originally written by U2, from their album "The Joshua Tree." It is generally accepted that the song was about bombings of El Salvadorian towns by the US during that country's civil war. Check out the following links to read several interpretations: click here.

It is called "Tambura."

It is Psalm 150 from the Bible read in Hebrew by Ran Yaniv. In Hebrew, the words are:
Haleluyah. Hal'lu el b'kodsho, Hal'luhu birkia uzo Hal'luhu bigvurotav, Hal'luhu k'rov gud'lo Hal'luhu b'teika shofar, Hal'luhu b'nevel v'chinor. Hal'luhu b'tof umachol. Hal'luhu b'minim v'ugav Hal'luhu b'tziltzelei shama, Hal'luhu b'tziltzelei tru'ah Kol han'shama t'halel yah. Haleluyah

In English, the words are:
Praise ye the LORD.
Praise God in his sanctuary: praise him in the firmament of his power.
Praise him for his mighty acts: praise him according to his excellent greatness.
Praise him with the sound of the trumpet: praise him with the psaltery and harp.
Praise him with the timbrel and dance: praise him with stringed instruments and organs.
Praise him upon the loud cymbals: praise him upon the high sounding cymbals.
Let every thing that hath breath praise the LORD. Praise ye the LORD.

There are 3 extra tracks added after the original 15- "Alive (Semi-Acoustic)", "YOTN (Conjure One Remix)", and "Boom (The Crystal Method remix)". There is also a DVD with live footage of P.O.D. in Germany playing "Set it Off", "Without Jah, Nothin'", "Youth of the Nation", and "Outkast". After that there is a behind the scenes look about P.O.D. called "Into the Satellite". There are 100,000 copies of the Limited Edition Satellite.

"Love is very very very very very very beautiful
Love can be very very very very painful
Love is beautiful, Love is kind
Love is patient, Love is blind
It's beautiful, yes, I love you, you love me?
Maybe you don't know what love means,
I love, It's beautiful, Love is patient, Love is kind
Yes, Love is kind, Love is blind,
Guitars of Love, This is the Guitars of Love,
These are the Guitars of Love, Guitars of Love."

For your other lyric questions, go to TheMessenjah.net and click on "lyrics." 

Ridiculous was originally a demo song and those lines were always sung, but for some reason they were just left out of the studio version.

The Satellite guitar tab book notes spell the word as "pusher." Some say he is saying "pushaaaww!"

A "satellite" is someone that has passed on (such as Sonny's mom) and is watching over us, or it can also be used to mean God.

Traa: There started to be something very celestial about it so we decided to title it "Satellite". It had that vibe so we went with it. Sonny has always felt that since his Mom had passed away that she is watching over him. That is what the song "Satellite" was written about. -www.shoutweb.com

They are talking to their critics who tear them down a lot. Some people say they're not Christian enough, some people doubt their beliefs, some people mock them for their beliefs. The song is a message to them.

Shoutweb: For the "Youth of the Nation" tour you are flying the band Blindside over from Sweden to open for you. Christian, their lead singer, is on track 10 called "Anything Right". Who is that directed song towards? Traa: That song is directed towards everybody. It wasn't just P.O.D. There are people who want us to be a part of their group and want us to say "hey, we're with them."

Shoutweb: You mean like, "You're in our posse?" Traa: Right. And I guess that song is really a common emotion that we feel because you can't please everyone. Sometimes you feel that you just can't do anything right. It's just something that we wanted to talk about.

Shoutweb: Things you're dealing with at the time will come out in your songwriting and in the lyrics. Traa: Like you were saying, people want you to be in their "posse" and want you to live by their rules. If you don't live by their rules then they're not happy. They can't put us in a box. Nothing defines who we are except for P.O.D.

Last spring, before heading north to L.A. to record their new album, Satellite, P.O.D. holed up in their rehearsal space in Santee, a quiet bedroom community northeast of San Diego, to rehearse the new material. They were on their way to practice when a student at nearby Santana High School pulled out a pistol and opened fire, killing 2 and wounding 13. When the band heard the news, they immediately wrote "Youth Of The Nation", a wrentching account of the killing and a heartfelt plea to stop the violence. - SPIN Oct 01

Translated into English, he says "Now its over, let's go to Inga in Sweden."

Around 85 percent of Christian bookstores across the country have refused to carry the band's latest record, Payable on Death, because of its artwork, which depicts a naked woman with butterfly wings, her arms crossed over her breasts and a banner with the word "Sanctus" (a Latin word for the sung part of the preface in Mass) across her nether region.

The bookstores' main complaint is that you can see the woman's pubic bone, a spokesperson for the band said, but they're also unhappy that the artwork uses a sacred word in a sexual manner. "This is sad, not because P.O.D. need to be carried in those stores, but because for thousands of years the church led the world in great art and music," the band said in a statement on its Web site.

In 1999 many Christian bookstores refused to carry the band's major-label debut, The Fundamental Elements of Southtown, unless the artwork was changed, so a version with a completely black cover was printed for those outlets. Before rejecting Payable on Death, bookstores asked P.O.D. to create new cover art, but the band refused, P.O.D.'s spokesperson said. - mtv.com

HM: CJ asks if you can give any insight into the meaning of your new self titled album’s cover art work and the individual logos on it?
Sonny: The painting represents life and so we asked him to replicate that and he added his own style. It’s still pretty mellow, the cover. Then you’ll see the inside stuff, it’s more gothic and real darker. You’ll see like a heart with roots coming out of it. He’s real cool, his work is real cool and we asked him to do that for us.

Interviewer: How did the band decide what image to use for the cover of their album?
Daniel Martin Diaz: Sonny had this image of a winged figure that his mother owned and it had a lot of meaning to him because it reminded him of his mother. So he sent it to me to check it out and I came up with the drawing based on that image. What’s interesting about the butterfly is throughout history it’s had quite a few meanings. It’s represented the Resurrection, and it’s also represents the rebirth so it’s kind of cool that they went with the butterfly; it just has a bunch of meanings and I really like the idea of it meaning a rebirth.

The guys wanted something beautiful for the cover so I used my wife, Paula, as a model.
- from the Daniel Martin Diaz featurette on the album DVD features

Mythology often portrays the human soul as a butterfly fluttering and shimmering in the sunlight. Everywhere this fluttering seems to equate with fire and the inspiration of the divine spirit that energizes life, with the breath of life. The caterpillar's emergence from an imprisoning form is most often associated with the theme of rebirth and resurrection. In spiritual terms this is the release of the soul from the limits of the material world. The transformation of these delicate creatures hints at a process of life moving to infinite life.

Written by Pat Hinkley - danielmartindiaz.com/pod.html

The words are in Latin. Here are the words and translations:
amor- love | fides-faith | mors-death | Deus-God | luna- moon | santus-holy | terra-earth
Thanks to aeternitasanimus for the explanations!

Each symbol is each member’s logo. Go to the bottom of this page to see which logo belongs to whom: danielmartindiaz.com/pod.html

HM: CJ asks if you can give any insight into the meaning of your new self titled album’s cover art work and the individual logos on it?
Sonny: The guy who did our artwork is really into symbols and stuff. Looking through all his artwork, we decided it’d be cool if he created something new. So if anybody asks what they mean, its like “Traa, Wuv, Sonny and Jason”. There’s no meaning, it’s something cool we did for ourselves.

Interviewer: You’ve been drawing symbols for each of the band members. How did that evolve?
Daniel Martin Diaz: They asked me if I would be interested in creating a symbol for each band member and I really felt really comfortable with that because symbols play a really big role in my artwork. I would create some symbols and dig deep and they’d dig deep in themselves and until finally we ended up with symbols that they felt a deep connection to. - DMD featurette on DVD

The first single ‘Will You’ obviously works on two levels. There is uncertainty about a relationship and uncertainty about a career as well, isn’t there?

Sonny: It definitely has that twist on it, but I guess anything in life is always a question of, you know: “Will it exist tomorrow, will it be around, will it be the way I want it to be, or will it be the way I hope it is tomorrow?”, you know. I think initially when it first started it was always, you know, I guess it did start off as a kind of a love type of song, you know, we’ve never really done that kind of vibe, you know, relationship-wise, and I think it’s just an observation of some of my surroundings and, you know, life is tough as it is, and definitely if you find that one that you love, make it work. I think you need that person in your life, you know, no matter what you go through, no matter the hard times. You gotta make it work. ~Sonny PayableonDeath.de - "Generic Radio Interview"

In the spirit of new beginnings, Sandoval wanted to cover new ground with the album's first single, "Will You.” Instead of singing about spiritual strength and perseverance, Sandoval decided to try to pen a traditional love song.

"We always said we wanted to do something like that, but it just kinda turned darker than your average 'I love you' type of song," he said. "It's about sticking with the one you love and putting up with that person and being there through thick and thin." ~Sonny (MTV.com - "P.O.D. Go Back to Their Roots, Insist They're Not Preachers")

Regarding the distinct message of “Will You,” Wuv remarks, “We never really did a love song before. It’s directed more towards being on the other end, asking for forgiveness. It touches on the tragic part of a relationship, but it’s something we all go through.” ~Wuv -Mean Street Magazine - "P.O.D."

Like their music, the video for P.O.D.'s "Will You" is filled with illustrations of discord and frustration. The message in each is to persevere in the face of adversity and — not surprisingly — do unto others as you would have them do unto you. One scene involves a maverick punk-rock chick being ostracized by a popular girl. Later, a guy aggressively attempts to coerce the preppy girl into being intimate with him, after which the punk girl is there to lend comfort. Other stories include an interracial couple who get harassed at a party but turn the other cheek, and a youth who must support his abusive alcoholic mother. www.mtv.com/news/articles/1479614/10072003/pod.jhtml

We always wanted to do a love song, and it started out from just hearing the music. I was listening to the guys play the music before we had vocals, and that question just came up in my head: "Will you love me tomorrow?" You look at everything you know to be real and you wonder, will it be there tomorrow? But it became a relationship-on-the-rocks song more than anything else. - Sonny to MTV.com 2003

46. What is the song “Space” and how can I download it?
It was recorded in the same sessions as the rest of “Payable On Death” but it was not put on the album. To hear “Space”, one must put the CD in their CD-ROM drive and follow links to download it. The song is on the Playstation 2 demo disc of the game Amplitude that came with the first million copies of “Payable On Death.” There is a “Phatheads Remix” of the song that features The BWGs, Eek-A-Mouse, Rockstar, Queenie, Paco, and Riki Romero. You can download it by putting the album into your CD-ROM and waiting a few minutes. A window will pop up and there will be a link on the right side of the screen that says “Download ‘Space’.” Click that link and you will be taken to a page where you must register for the site. After registering, it will check to make sure you have the CD in your CD-ROM drive, and then you will be brought to a page to where you can click on “Space” or “Space (The Phatheads remix).”

S is the 19th letter in the alphabet and D is the 4th, so 1904 = SD = San Diego (P.O.D’s hometown). 619 is the SD phone number area code. Thanks to DJ Rue (Zion Noiz gear.com) for the explanation!

The three art cards are some more exclusive copies of Daniel Martin Diaz’s amazing work. The three are: heart- “love”, eye-“faith” , skull-“death.” 1500 of all 1 million cards (500 from each design) were signed by all the band members. You can see his artwork for P.O.D. here: click here

Interviewer: Tell me about the cards, how do they fit into the picture? Daniel Martin Diaz: They symbolize love, faith, and death. The idea that I got for them was to create these cards that look like they’ve been around for hundreds of years. So when I sat down to create them, I put tea stains and weather them to stress them and to create a real old, ancient kind of aesthetic so when people open the CD and they get that card its as if they’re getting something from the past. For some reason that’s always the trip I’m on in my art. I have this connection to the past and I feel everything that everything I do artistically I try to capture the spirit and the mysticism of the past. So it’s a deep connection with me. One thing that I’m really trying to do for P.O.D. is to create something that 10, 20 years from now they can be happy with. So I wanted to try to create something classic and will stand the test of time. P.O.D.’s music has so much depth and power and struggle and life in it and those are the kind of things that I always look for in my artwork so I think it was a really great connection that we’re working together because it seems like we’re seeking the same thing.

The first million copies of “Payable On Death” came with a demo of the Playstation 2 game “Amplitude.” In Amplitude, the player recreates the song to how they want it. In the demo, the player recreates the song “Space”, which is not on the actual album. To hear the original version of “Space”, one must put the album in their CD-ROM and then follow links to download the song.

The only way to see the full-length features is to watch it on a Playstation 2 console. However if your CD-ROM drive is also a DVD-ROM you can see some highlights from the DVD features. Just look on the front of your CD-ROM drive, and if it is a DVD-ROM, you will see the words “DVD-ROM” printed on there.

He is one of the most outstanding guitarists of all time. It is rumored that when Jimi Hendrix was asked “How does it feel to be the greatest guitarist of all time?” he responded with “I don’t know, you’d have to ask Phil Keaggy.” Glass Harp, one of his first bands, helped him earn major respect and get a big spotlight. He started following Christ in the 70’s and then began a solo career. He plays on the tracks “Revolution” and “Eternal” on “Payable On Death.” You can read more about this extremely gifted guitar player here: PhilKeaggy.net

It was a hot day, so the band members changed shirts several times to keep cool, it's not your imagination! Also in true P.O.D style they wanted to promote some of the bands they know.

There has not been a statement of who they are, but the pictures are a little twisted so you can't see what they really look like. That adds to the eeriness of the video, probably also to avoid being in trouble for using a real person's likeness. The kids lip-singing at the end were all from a high school somewhere in the midwest.

The guy in the video is going about his normal routine of skateboarding, surfing, and seeing his girlfriend. After surviving a car crash, he realizes how precious life is and how he shouldn't be taking it for granted.

Traa: The idea about that song is pretty much not to take life for granted, you know. I mean, if you've seen the video it's pretty much about this guy, pretty much he goes through, you know, the perfect day for him, you know, where he's spending time with his girlfriend who he loves, and just surfing and skateboarding and stuff like that, and he gets in an accident. Well the song pretty much is about not taking life for granted. A lot of people have a tendency to take life for granted or, you know, nobody's promised tomorrow, you know, life could end in a second, you know what I mean, and it's like, you know, just enjoy it when you have it, you know, and be grateful that we have breath. -www.undergroundshow.com

The Alive video shown on TRL, the "censored" version, had fewer scenes of the man being tossed around in his car during the wreck. Also in the Youth of the Nation video, a scene of the girl sitting on top of the car was cut out on TRL, probably because the station feared that it would inspire kids to sit on top of a moving car.

"What turned them on to us was a lot of our biblical concepts and themes, and this movie has a lot of biblical themes, and so they wanted to keep that vibe," Sandoval said. "I kind of got the concept from Daniel interpreting King Nebuchadnezzar's dreams in the Old Testament and ... then all of a sudden I go back and watch 'The Matrix' again and that's what Laurence Fishburne tells Keanu Reeves, that the Matrix is a computer-generated dream world. So I was like, 'I'm onto something.' "

The Wachowski brothers, who created "The Matrix" and its sequels, had ideas for a video, but scrapped them when director Marc Webb submitted his treatment, which creatively portrays P.O.D. in parallel universes.

"'The Matrix' has a lot of references to other classical literature, so one of the things I kind of picked up on was this life through the looking glass thing, this 'Alice in Wonderland' thing," Webb explained. "I kind of like the idea of doing something that happens on the other side of the glass. So we decided to do a concept with two identical performances on either sides of a mirror."

Webb even configured the cameras so the two shots look like reflections of each other. In one the band is playing right-handed, in the other, left-handed.

"One setup is like the Nebuchadnezzar, which is the ship from 'The Matrix' in the real world, and the other side is this kind of 'The Matrix' reality, which is a little bit more stylized," Webb said. "Everybody's wearing black and is cool. They move a little bit faster and look a little bit glossier and do some crazy, crazy stuff. We're doing some stunts with the guitar player smashing his guitar against the bass player and Sonny does some stuff with blocks."

Webb's original treatment required the band members to shave their heads, but that concept was quickly vetoed.

"I've been growing these dreads for six years," Traa said. "No way!" - www.mtv.com/news/articles/1471164/04092003/pod.jhtml

"Southtown" on the Warriors EP does not have the second stanza that is sung on FEOS ("One love.... diamond in this rough") and it is 23 seconds longer than the FEOS version. "Draw the Line" on the Bonus CD has some different guitar and sound effects. The song "Sabbath" on the Warriors EP is just an instrumental version of "Follow Me". Other than that, there are only some slightly different vocal and sounds, nothing major.

In "Set Your Eyes to Zion", it is Sonny explaining what Jah means to someone. It got left on the recording, and the band decided it sounded cool, so they left it there

In "Hollywood"- "So you wanna be a superstar? Down here in Hollywood, everybody is a superstar, down here in Hollywood"

In "Bullet the Blue Sky", Sonny is saying something like "For God so loved the world that He gave His only begotten Son, that whoever would believe in Him would not perish, but have eternal life. Everlasting life in the name of Jesus Christ just believe", pretty much John 3:16.

Thanks to Matthew: There is backmasking on Alive (the bridge before "now that i know you...."), It's very subtle but I definitely made out "And now that I know you"...so it's probably just the rest of those lines. It kind sounds like wind blowing when you listen to it.

In the opening of Coming Back- "Tell em' Brotha" and in Three in the Power of One's opening: It was given (or "My task was given")/I have the Spirit /I have the Spirit /I have the Spirit /I have the Spirit"

For your other lyric questions, go to TheMessenjah.net and click on "lyrics."

The band often played this song live (one instance was at Cornerstone 2000), but they changed around some lyrics and changed the name to "School of Hard Knocks" and it became the lead track on the Little Nicky soundtrack.

It is a song that was originally recorded during the Satellite recordings, but never made it onto the album. In November 2002, they released a maxi-single of the song "Satellite", which has "Critic" on there.

The band recorded the song "Whatever It Takes" and "Bless Me Father", and "Whatever It Takes" was put on one of the two soundtrack discs. Some of "Bless Me Father" can be heard during the movie.

P.O.D. covered the Run-DMC song "Christmas in Hollis", changed a few of the words, and gave the song to California's radio station KROQ to put on a compilation CD in 2001.

It is a non-album song that was put on the “Will You” maxi single.

Traa plays a Warrior bass: Warrior Instruments In the past, Traa has played a Warwick 5 string: Warwick
He uses David Eden cabinets: Eden
and medium light SIT strings: SIT Strings

Traa named the following in the November 2003 Bass Player magazine:
Eden d-410xlt cabinets, Hughes& Kettner subwoofer, Mesa/Boogie Triple Rectifier guitar head and 4x12 cab for distortion He tuned down a whole step: ADGCF

At live shows Traa plays:
2 Eden wp100 pre-amps, 2 wt-1000 poweramps, 4 Eden d-212xlt and 410 XLT, Boss overdrive & Ibanez phaser, Warwick streamer 5-strings & EMG pickups.

Wuv plays Pearl drums and uses Vic Firth 7A sticks:
7A
VicFirth.com: Wuv
Pearl Drum: Wuv
Zildjan: Wuv

DRUM! Had the following listed as Wuv’s drumset in the Nov/Dec 2003 issue:

Drums
Pearl & OCDP
22" x 18" Pearl bass drum
12" x 6" 10 ply OCDP snare w/6 ply reinforcement hoops
12" x 6" 20 ply OCDP snare
8" x 7" Pearl tom
10" x 8" Pearl tom
16" x 16" floor tom

Cymbals: Zildijian
12" Oriental China trash
14" a new beat hi-hat, 14" a quick beat hi-hat
8" A splash
6" A Splash
17" A rock crash
19" A rock crash
6" Zil Bel
20" A medium ride
19" A rock crash
20" sweet ride
16" Oriental China trash

Wuv also uses Audix mics, Vic Firth sticks, and Remo heads. He mentioned that he used a different snare on each song.

mics the band uses: EV mics

All of the members use TKL bags and cases for their instruments. TKL.com

In the Oct 2003 Guitar One issue, Jason says he is a big fan of Mesa/Boogie and uses PRS on “straight rock stuff” but Taylor on acoustic. He wants to try out Garrison and Gibson for acoustic stuff as well. Howard Benson said they used Leslie Cabinets and Roland JC-120.

Some of their other gear sponsors are:
Carvin
Crate amps
Jim Dunlop
Gibson