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P.O.D. History and General Information The
Music "Snuff
the Punk" "Brown" "The
Fundamental Elements of Southtown" questions "Satellite"
questions "Payable
On Death" questions "Testify"
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song questions Etcetera Warrior
Klan FAQ Message
Board questions
Sonny
and Wuv stood up in front of the executive staff at Atlantic Records
and shared about their faith and vision to continue bringing their message
to the world.In the meeting Sonny said, ‘I believe in Jesus Christ.
I will never back down from my faith... We know that no matter what
happens, our name is good on the streets. You can ask anyone and we
are good with the people in the streets. We do this in a way that even
our own kids will look back and be proud.’ - INFOMAN E-mail, June 29
2005
"You
know, I don't want people to remember me because I played rock music,
but because I love God with all of my heart, mind, soul and strength...
We work with the record label, but what's really important is that we
have to put our trust in God." - to HM Magazine, 20th Anniversary Edition,
summer 2005
"We're
Christians 110 percent, without a shadow of a doubt. We're not trying
to hide anything...but we make our music for everybody." -Sonny January
2001 CCM
"Others
might say, 'Ahhh! P.O.D., the sellouts!' Sell out to what? We never
had your support in the first place!" -Sonny
Excerpt
from Revolver Nov/Dec 2001: "Much has been made in the media of P.O.D.’s
Christian faith... it is impossible to discuss songs like 'Christ' [now
called 'Portrait'], "The Messenjah" and "Anything Right" without mentioning
the band's spiritual beliefs - or more specifically, the hammering that
they've taken on both sides of the Christian/secular divide for daring
to articulate their love for Jesus Christ in a hard-rock context. 'We
get the people who say, 'oh they're Christian rock, dude, don't listen
to them,' ' says Sonny. 'And then we get people who say we're not Christian
because our beliefs don't match perfectly with theirs.' 'We go around
the country and meet all these Christians who expect us to be like them,'
adds Wuv. 'And we're not -- we're just people who love God. We're not
holier-than-thou. So, with the song 'Christ' it's like, 'here's our
picture of Christ.'" "
The
lyrics talk about what we've come to know in our faith in Christ," Sonny
explains, "and also the hypocrisy we see in a lot of people who call
themselves Christians."
"It's
a healthy sign that P.O.D. can joke about shoving Christianity down
other people's throats; these days, if someone isn't accusing the band
of doing just that then they're accusing them of not being Christian
enough. 'We're not going out there with a cause' insists Wuv, 'we're
going out there to tell our life story-who we love, and what makes us
people. That's what we do. But people really wanna make an issue out
of it. They always do.' " -Revolver, March/April 2002
The
God that P.O.D. worships, as expressed in the band's music, is a loving
and benevolent Creator, as opposed to the god of wrath so popular with
tele-evangelists, right-wing politicians, and those who represent heaven
by firebombing abortion clinics.
"We’ve
always thrown love into the picture," says Sonny. "Ultimately we believe
that God is love, and if we can just get people to grasp the foundation
of love, they're gonna make it - you know what I’m saying? They’re gonna
be alright."
Our
songs are very passionate about what we believe in, says Bernardo...We
talk about Jah, we talk about love, we talk about being better people.
How do we do that? We love God, and we try to live that way...We have
fun, but we also use the biggest mic we can to tell people our story.
And our story is, 'dude, if you hit the dumps, we've got something that
might give you some joy.' - Blender Oct/Nov 01
I
don't care what Christian groups think of me. I just want to represent
who I am: a guy who at one point fell on his face and asked God for
direction (says Sonny). We don't fit in with the conservative values
of Christian America, Bernardo adds. For us, its all about a relationship
we have with God. Its about what God has done for us individually, not
what he's done for our church. -SPIN Oct 01
"Yeah,
we have spiritual beliefs, but it's an individual thing. We never said
anybody has to like us. We've had to work twice as hard to come this
far, and we're as bad and heavy as anybody." - Traa to Bass Player,
Dec 2003
"Sometimes
as hard as I want to be on people that are questioning our faith, I
know that deep down inside there's a genuineness to it," Sandoval added.
"They go and interview a hundred bands, and its the same old rock n'
roll handbook story. We just tend to stand out in this genre of music.
All of the people that we're playing with are depressing, they're angry,
they're searching, they hate the world or its 'sex, drugs and rock 'n
roll.' Then you have P.O.D., and its all about good vibes. I just think
we tend to stand out on our own whether we're labeled 'Christian' or
not. ... It's God who's blessed us." - Relevant Magazine, Nov/Dec 2003
liveDaily:
So much seems to get written about the Christianity angle, but you guys
aren't preaching to everybody. Sonny : We've never denied our faith
or anything--that's something that's with us, with or without rock and
roll. All of a sudden people were making an issue out of it. If you
are genuine and you want to sit down and talk heart-to-heart, and you
care, then we could talk about it. I truly love that. But I don't want
people to not give the music a chance and go, "Oh, I'm not a Christian,"
or "I don't believe the same, so I can't listen to it." No, it's rock-and-roll
music. We've proven ourselves in the past 12 years, I don't know what
else to say. If anything, it doesn't help. It hinders people from buying
the music. You never hear the Beastie Boys as Buddhist hip-hop. They
were wild party guys, and all of a sudden they find something that's
real and shoot it in there--you never heard, "Oh, now they're Buddhist
hip-hop." We've never used our faith to market anything. I don't know
who said there was "rock" and then there's "Christian rock," but I think
you should give credit and respect to the people who are singing about
what they feel, and not just what everybody wants to hear.
liveDaily:
Some quote-unquote "good" Christians even bash you that you actually
don't have enough faith. That's pretty harsh. Sonny: Sometimes, you
can't win. You'll never be good enough, or you'll never live up to somebody
else's expectations of what your faith is about. It's sad, man. The
bottom line, this is me. I'm the man that makes the decisions in my
life, and the next man has to do that for himself.
No,
They are Christians...
"...It's
not Rastafarianism, its being around so many different cultures & styles,
for example...we grew up in south S.D. where there are many different
nationalities & religions also heavy drug use & etc... so our perspective
about life & God is seeing it first hand ….We've seen God change our
parents' lives & our friends' so there is nothing that can take that
away & its as if our up bringing has given us a foundation in what we
believe cause we seen it first hand!" - Wuv's sister
GW:
Did reggae music influence your approach to presenting a spiritual message
through music? Sonny: I think it definitely had a lot to do with it.
For me, reggae music was always peaceful. So I think, growing up, reggae
music always kept me a peacemaker. I never listened to "kill your mother"
and pimp and ho" type of music. Like today, a lot of that kind is out
there for kids to listen to. And they imitate a lot of what they hear.
But back then I'd listen to a lot of reggae music, and it was 95% scripture-based.
Just stories from the Bible about God watching out for you. So I always
had a good mentality that kind of sunk in. When I started making music,
it was just an expression of that.
GW:
Can you reconcile Christianity with Rastafarianism? Sonny: With Rasta,
a lot of it is scripture-based. People walk around singing Bob Marley
lyrics, but they don't even know he got that from Psalms or Proverbs
or something. The Rastas just kind of twist scripture their own way.
But as far as morality, it's the same. And they believe in Jesus Christ
just like we do. But they believe that the Second Coming of Christ was
Haile Selassie. They believe the Second Coming already happened. So
there's differences. (*shrugs*) They smoke a lot of herb, you know?
It's a spiritual thing. -GuitarWorld, Nov 2001
Checkout.com:
How do you compromise the gentle side of your spirituality and the aggressiveness
of your music? Sonny: Our faith is what drives us to be even crazier.
That's what motivates us. When we get on stage, it's so personal that
we've been given that opportunity to praise God on stage. Even if the
crowds don't get into it, that's 30 minutes on stage between God and
us. And it pushes us even more. At the same time, our message isn't
about complaining or whining or you do this, you do that. It's about
love. It's all about positivity. There is a balance in there, we take
what God's done with us and we use that on stage.
"I
think Rasta and Christianity have come very close together except, you
know, obviously the different beliefs of the second coming of Christ
and who Christ was," Sandoval explains. "You listen to Marley's tracks
and a lot of old-school reggae music, and 95 percent of that is straight
scripture. They're telling old Bible hymns and stories about Moses and
Noah and Elijah. And now I realize that whenever I've had fights or
troubles, I've always looked for peace first. And it's because of a
lot of the reggae that I'm listening to is about choosing to accept
peace and love rather than hate. So I figured why not incorporate more
of that style in our music." - MTV.com 2003
The
band wanted a long name since so many bands at that time had short names.
Wuv's girlfriend-now-wife worked at a bank, and suggested the name.
It is a banking term that means when someone passes away, their belongings
go to their heir. To the band it means that our sins were paid for on
Jesus' death and He gave eternal life as an inheritance.
Clear
Channel: Where did you come up with the name of the band? Wuv: "Payable
On Death" is a banking term that refers to someone being the benefactor
of what people leave behind when they die. We have given our lives to
God with the promise of life after death, so that's what that means
for us.
CH1:
Tell us about your beginning in music. When did you start playing? Wuv:
Actually, Marcos and I started the band. We played together before P.O.D.
-- I met him through a friend in high school. I played drums with all
the kids, and my dad played, too. We just got together and started having
fun. Sonny -- he's my cousin -- was always coming to shows and hanging
out and just doing his thing. Around that time, his mom passed away
with cancer. She was 36 years old and he was 18 or 19, and I kind of
saw how depressed he was getting so I just said to him, "Hey man, if
you want to get your mind off your mom, if you want to come try out
and sing in the band, that'd be cool." He was like, "Yeah, maybe I'll
try that." And that was 10 years ago. So it's funny. He never tried
to be a singer, but through all the years of just plain having fun together,
he's developed into who he is today, and I think it's amazing. Just
awesome.
Teenmag.com:
Tell me, when you started the band, was it just kind of for fun or did
you always plan on making music a career? Wuv: We just started out having
fun in the garage. Me and Marcos met through a friend in high school.
I was in eleventh grade, and he was like in tenth grade. So we just
had fun, just playing, and even when my cousin joined the band, it was
still the same thing. It was never like, 'Dude we got a shot at this,
man. I can tell we got something.' It was never like that. I mean, ever.
I still think it's not like that. It just turned into that, over the
years. Like I said, everything that happens now is like a bonus.
MTV
Radio Network: When did you guys get started? Wuv: Marcos and I got
together about nine years ago when we were in high school. We met through
a friend, and we got together and started jamming in a garage and playing
crazy stuff for all our friends. Then Sonny was doing something with
hip-hop with some of my other friends, and we asked him to try to blend
in some hip-hop flavor with our stuff. We borrowed Traa from my uncle's
funk band, and he never left, and it's been P.O.D. ever since then.
Marcos: We borrowed him and kept him. W: Yeah, we borrowed him, then
we stole him.
Wuv: "My dad was one of the biggest drug dealers in south
San Diego," Wuv reveals. "He was living on the streets for three years
before God actually touched his heart. After that, he would bring me
to church and I started to see God change my dad's life. Also, God totally
restored my parents' marriage."
Warrior Grrrl : How did you come to know the Lord? WG: Before your Mom died, did she know that you had become
a Christian? "My mother was a Christian in her later years," he (Sonny)
says. "She loved God and trusted in God to her very last dying breath.
She would sing worship songs while laying there in her hospital bed,
and for me, I had never seen a more beautiful thing. She knew that she
was going to die, but she always had a song in her heart, and she thanked
God for the moments that she had. At first I thought I was practicing
just for her, so that she wouldn't worry about her son. But the more
I got into it, I realized that there is a love." Kerrang! Jan 12, 2002
After Wuv's family turned to spirituality, the Sandovals
followed suit. Sonny's mom started reading the Bible and encouraged
her kids to seek salvation. At first Sonny wasn't interested. Then his
mom was stricken with cancer and died. "I was sitting there watching
her suffer," he remembers, "and I said, 'What's the purpose? Why does
anything matter?' "When I reached than moment of being at rock bottom,"
Sandoval says, "I prayed to God. ... That was the point where I said
to myself, 'Enough messing around, enough goofing off and getting into
trouble. There's more to life than just little old me. I need to do
something that means something and find something real.' " - MTV.com
Psalm 68:4 "Sing unto God, sing praises to his name: extol
him that rideth upon the heavens by his name JAH, and rejoice before
him."
Jah is actually Hebrew for "the Lord," only there is no
"j" sound in the Hebrew alphabet and it sounds like the "y" sound, so
it's actually Yah in Hebrew. Whenever the Bible says "hallelujah" it's
saying "praise the Lord". Jah=the Lord. For proof besides an ancient
Hebrew study read along to Psalm 150 while listening to it on the TFEOS
CD.
1994: Snuff the Punk
An Interview with Sonny Is it something you want to keep in the past?
When you get help or inspiration from somebody, it's only
right to thank them. P.O.D. was inspired by these artists musically,
so in a way they helped with the album, and so they deserve some thanks.
The fact that they are secular bands makes no difference to the fact
that the guys were inspired by their music, so they still deserve thanks.
Just as a Christian band may help them, so do secular bands. It would
not be right to just pretend that they didn't help and not thank them.
When a non-Christian friend does something for you, it would just be
odd and rude not to thank them.
Sonny: "I think a lot of times when we do Christian shows.
Let’s say a Christian festival, and 99.9 percent that come out are Christian.
I think there’s a little bit more intimacy, because we are there for
the same reasons, the same purpose and there is that intimacy that breaks
down the music. Maybe share a story or say what’s on our heart. But
when you’re playing at a club, you got 45 minutes. That’s when we don’t
want to come down on people. We don’t want people walking away saying,
'Well, I really like those guys, but they talk too much.' or, 'They
try to convert me to their religion.' We know that backfires against
us. Our goal is that you walk away not just saying, 'Wow, those guys
rock.' We hope those guys walk away saying, 'Dude, those guys are cool.
Dude, they really rock the crowd, but those dudes are talking about
things positive. Those guys are talking about love and everlasting life.
They were talking about God of love.' We want them to walk away thinking
for themselves. Not necessarily because they were forced. You know,
we gotta be careful. 'Cause I can go out there and say, 'Hey man, God
bless you guys,' and all of a sudden I have an angry mob at me because
I said that. So I have to watch it. But if it calls for it, I’m definitely
not ashamed. I’m not afraid to stop a crowd. And it’s up to you what
you take [from it]. But at the same time, when we go on the Primus tour,
dude, they’re paying money to see Primus and P.O.D., so I’m not going
to rob them of that either. I hope that they do enjoy the show. But
I don’t want them walking away saying.. 'Hey, I paid for a show. I didn’t
pay for a…speech...'
Interviewer: A lecture? Ozzfest from Sonny’s perspective, from the Teen People
summer 2002 issue: A lot of Christian kids have a hard time understanding
how we can go out into the world and play our music and get along with
all these bands, he (Traa) says. Its because of our love for God, says
Wuv. God has been so real in our lives that we are enabled to do that.
There is no way any band is going to rub off on P.O.D. more than P.O.D.
is going to rub off on another band because, dude, we've already been
there. - CCM Jan 01
FamilyChristian.com: How do you respond to people who
criticize you for playing with mainstream bands or appearing on MTV? What God's doing with P.O.D. is what He's been doing for
10 years and if they don't get it, they don't get it. We're not for
them anyway; we're for the people that don't know Him. We get a lot
of criticism from the Christian side because of the way we look and
because of the people we play with. You know what, if you don't get
it then turn your heads because we're really not for you anyway. We're
just doing what God's always put on our hearts to do. We love God and
all we can do is tell people how much we love Him. And if there's something
wrong with that because we don't look the way that they look, then they've
got their eyes on us and not God. - FamilyChristian.com
P.O.D. is a band for anyone; they play rock and roll music
for all people, not just Christians.
From the SoulBlaze interview: Sonny: Umm not necessarily
in the band, I think disappointments are: just always having to deal
with the hype of “well, you guys are a Christian band”. We get the stereotype
that’s: “o.k. you guys sound like this” or “I don’t want to listen to
them because they are Christian”. That is something we are trying to
get across to people. We make music for anyone that is going to listen.
Anybody and everybody that will listen to our music were that’s what
it’s for, because there is a message for everybody whether you are a
Christian or whether your not. I think some of the disappointments are
that we have had to deal with it for nine years. “They can’t be Christians
if they look like that” or “they can’t be Christians if they play that
kind of music.”
"At first," says Sonny, "we were militant about our faith,
really in people's faces. We used to say, 'I don't care if they kick
us off the stage, I'm gonna tell them about Jesus!' But what good did
that do? They never invited us back to the club. Then God started to
tell us, 'You don't have to fight for me. I fight for you. You just
go out there and love them. Love them to Me.'" ~ Campus Life Interview
(Sonny) When we first came out, if you had heard some
of our old demos, it’s like “Jesus! What’s up!” you know, “Turn or burn!”
(in dry lung). You know what I mean? But that’s exactly what we do,
and we had a lot of people. And God continued to bring character. God
continued to bring wisdom and show us: you know what, you don’t have
to fight for me guys. You don’t have to make a Christian stance for
me. Because I stand for you guys. I fight for you guys. Go out there
and love these people. Every band member, every band you play with;
go out there and love them like I would. Every crowd that you play for;
go out there and love them like I would. So, I learned - you know what
- I gotta do that. I gotta go out there and worship God with the 45
minutes that he has given me, on and off stage. Don’t get up there.
Don’t get up in front of MTV and talk the big Christian talk and end
up turning away 99% of the people, but you won that 1% of the Christian
audience that said “dude, those guys are right on, brother!” - Soulblaze
interview
Our faith plays a lot in our personal lives, but we're
a rock-and-roll band. This album is about rock and roll, that's it.
- Wuv to AP mag, Nov 01
We always say that if people are turned off by our beliefs,
then we've got to be that much better," says P.O.D.'s singer Sonny Sandoval.
"They're going to come to the realization that, 'dude, I don't care
what these guys are saying- this album rocks! this music is dope!' -
Revolver Sep/Oct 99
When we go out there we don't have to read Scripture to
make (our faith) known. We have faith that God is going to touch who
He plans to touch, whether its one person in the audience or if it's
every single person. We have to lead with the faith that God is doing
this, not us. - Sonny to CCM Jan 01
No, not at all...they have just broadened their range
of music. P.O.D. can’t be classified under one genre nor do they want
to. They have mad flavor and they show it on songs like "Ridiculous"
and "Ghetto." But their heavier beats are definitely there...look at
"Boom," "Anything Right" and "Without Jah Nothin." Our boys will always
be heavy... but they are musicians and can play everything!
April 2001 Hit Parader: "We've always been a band that
relied on playing what we felt inside," he said. "We've always admired
a band like Bad Brains because you knew they were always ready to try
anything if they thought it would work with their music. They were one
of the first bands to bust punk, hardcore and reggae, and that was dope.
That inspired us a lot. We've tried to take all the music we liked-
whether it has a Latin feel, a hip-hop feel or a metal feel- and just
do it up the best way we can. On the next album (Satellite) we're just
gonna try to push everything along the same way. But we like offering
up a few surprises too. If people think they've got P.O.D. totally scoped
out, we think they're in for some stuff they don't really expect." -Wuv
"Our music has taken on a more organic sound. This album
is the result of all of our input, and since we're all coming from different
backgrounds, there are a a lot of different styles in there" says Traa.
- Bass Player, Nov 2003
A fan of the band who supports their vision and the band
in many aspects-
MTV: Let's talk about the Warriors, as your fans are known.
Why are they called that?
Sandoval: Because they're loyal. We're thankful for every
new fan, but there's a lot of kids [that know us from when] we used
to play their back yards. We were playing wherever we could, sleeping
on their floors, and they were buying us lunch and dinner. With what
we're about and what we stand for ... there are a lot of kids that are
proud of us. They were more proud when we got signed than we were. Now,
when these kids come out, it's genuine. It's not like, "This is my flavor-of-the-month
because they have a hit song." They're coming to our shows to experience
what we experience. It's kind of like magic.
Daniels: A lot of them were down with us when the style
of music we were doing back in '92 wasn't even cool.
Bernardo: They're responsible for the reaction we get
in certain cities. We'll go through the cities we've been playing for
eight, nine years, and those kids ... are taking P.O.D.'s name and blowing
it up all over the city. Every one of our bus drivers gets mad 'cause
we let everybody on the bus. They're constantly looking at the carpet,
and we're like, "Dude, we'll clean it up."
It is called a Triquetra or a Trinity. The interlocking,
never-ending circles represent the Father, the Son, and the Holy Spirit.
Shoutweb: Can you tell me about the symbol on the CD and
on the web site that looks like three interlocking rings?
No.
Traa is French (Creole), Native American, and African-American.
Jason is Caucasian. Wuv has some Filipino, Italian, German, and Guamanian
in him and Sonny has some Italian, Guamanian, Spanish and Hawaiian in
him.
"But the remaining members of P.O.D. insist that Curiel
was simply no longer willing to make P.O.D. his first priority. '...Then
at the end of January, we find out that one of us has another band,
and he wants to pursue THAT first. Then we get the Matrix gig, and he
says 'I can't work on that, because I'm mixing my album.' It's like,
Dude, just say what you want to say!" He's gone off to do his own thing and he's happier doing
that, but it's still a mystery to us. We don't know what happened- we
took a break and the next thing we know he's ready to leave. We haven't
been in contact since and we don't even know what his band's called.
We've had some great times and he's been our friend for 13 years. But
you know, when your girl splits up with you it takes a while to be able
to hang out. - Sonny, Rock Sound #50
"We've always wished the best for Marcos, and for him
to do what he loves" says Sonny. "Apparently, he wasn't loving what
we were doing, at least in his mind. I know how much passion and love
Marcos has for music, so I hope it allows him to live rather than tearing
him apart. Do your thing man!" - Revolver, Dec 2003
liveDaily:Your original guitarist, Marcos Curio, left
the band early in the year. It seemed like he had other things on his
plate. Sonny: Yeah, he had another band and everything. We've done our
best to hold our composure and be as good about it as we can. It's gotten
ugly in places. This other guy told me this morning, "It seemed like
you guys were brothers, family." We were. That's the honest to God truth.
But I've said this business has a tendency to even corrupt the purest
things, you know? And when you let pride an ego get in the way, your
basic structure can get mixed up. I was thinking, man, here comes February
[2003], we're going to write the best record of our careers, it's getting
better every day--and all of the sudden I find that somebody I believed
in and thought was there, wasn't feeling what we'd created for 12 years
anymore. All I can say, he fell out of love with what we were doing.
I'd always admired Marcos's passion for music. He's brilliant at what
he does. I wish him the best. But I've been in this band half my life,
it's my heart and soul. You can't force anybody to stay with you, if
they don't want to be there.
Jason was guitarist for the heavy metal band Living Sacrifice
from 1990 to 1998, starting when he was only 17. The band was based
in Jason’s hometown of Little Rock, Arkansas and his brother Chris joined
the band on bass circa 1995. He was on the albums “Living Sacrifice”,
“Non-existant”, “Inhabit”, and “Reborn.” LS and P.O.D. would play tour
dates together in the early and mid 1990s and one time P.O.D.’s bus
broke down in Little Rock so they stayed at Jason’s house. All of P.O.D.
agreed at that time that if they wanted a fifth member, Jason would
be their pick. Jason left L.S. to spend some more time with his family
and to run a music school and landscaping business. When P.O.D. needed
a new guitarist they all thought of Jason and so they called him. Once
Jason talked it over with his family, he agreed and so they “hit the
ground running” and recorded the Matrix Revolution lead single “Sleeping
Awake” and began to record “Payable On Death.” Although Jason was not
in the band at the time, L.S. played with P.O.D. on a few dates of P.O.D.’s
1999 tour “Warriors Come out to Play” and they played several shows
on the 2000 tour “Kings of the Game.”
liveDaily: What does Jason Truby bring to P.O.D.? How did he come into the band? As good as P.O.D. sounded with Curiel, they're now a more
versatile group, unafraid to go places many hard rock bands aren't open-minded
enough to roam. Truby is "more of a schooled musician" than Marcos was,
Sandoval explains, "and he continues to amaze us. When he picks up a
guitar and starts jamming, there's so much beauty and melody coming
out that it brings out the best in us." "When we first got Jason and
we were rehearsing, we were like, 'Man, why does the music sound so
full?' " adds Traa. "I looked over at Jason's hands and they were shooting
all over the neck. He was playing these multiple chord parts that were
amazing. So with Jason it almost sounds like we have two guitar players,
even though it's only one." Like his brothers in P.O.D., Truby is a
Christian. They met him eight years ago when he was playing in the religious
thrash band Living Sacrifice. After Curiel split, Truby was the first
and only one they thought to call, and he was happy to enter the circle.
"It was really exciting to get that invitation," Truby remembers. "These
guys are top of the line professional, and it's really easy to fuse
with them. So I just try to add lots of little flavors from different
things so everyone can find something interesting to chew on." - MTV.com
2003
To name a few: Bad Brains/Soul Brains, U2, Santana, Bob
Marley, Eek-a-Mouse, Primus, The Cars, Cheap Trick, Phil Keaggy, Led
Zeppelin, the Police, Black Sabbath, 24/7 Spies, Living Color, Pink
Floyd, AC DC, Run DMC, Deftones, Jimi Hendrix, Marvin Gaye, Black Uhuru,
Isley Brothers, Metallica, Suicidal Tendencies, House of Suffering,
Smooth Ruffness, Steel Pulse, Larry Graham, The Cure, and many more
reggae, rock, jazz, and other artists.
21.
What is the extra song after "Every Knee"? Believe, Receive, Obtain, Withstand, Never die
The intro is a clip from LL Cool J's song "I Shot Ya"
and the Outro is a clip from Kurtis Blow's song "The Breaks."
It frequently occurs in the Bible, especially in Psalms.
It is generally accepted that it is a musical term that means to pause
and reflect on what was just said. Read more at: this link
and this link.
"I want my french fries! Give me my french fries! I want
my french fries! Give me my french fries! I want my french fries! french
fries! french fries! Give me my french fries! french fries!
Don't
forget my ketchup! Oh where's my ketchup? I want my french fries! where's
my ketchup? french fries! Ketchup! French fries! Give me my ketchup!
French fries!"
For
your other lyric questions, go to TheMessenjah.net
and click on "lyrics."
26.Who
is the other singer in "Breathe Babylon" and "Seeking the Wise"? Dirt -
intheholehegoes.com
Warrior Grrrl: Can you explain to us some of the symbolism
on the cd cover? WG: What about the monkeys in the guys head? (the one
in the suit) Shoutweb: And the cover art? Shoutweb: Did he create this just for you guys? Shoutweb: Where is the original painting? Shoutweb: Are these opening supposed to represent heaven? What about your Magritte-ish cover art and the elemental
self-portraits on Southtown. What is the message there?
There have been several reasons given, one being that
the cover looks related to Eastern philosophy, and another it is because
there is a cigar on the cover.
The song was originally written by U2, from their album
"The Joshua Tree." It is generally accepted that the song was about
bombings of El Salvadorian towns by the US during that country's civil
war. Check out the following links to read several interpretations:
click here.
It is called "Tambura."
It is Psalm 150 from the Bible read in Hebrew by Ran Yaniv.
In Hebrew, the words are: In English, the words are:
There are 3 extra tracks added after the original 15-
"Alive (Semi-Acoustic)", "YOTN (Conjure One Remix)", and "Boom (The
Crystal Method remix)". There is also a DVD with live footage of P.O.D.
in Germany playing "Set it Off", "Without Jah, Nothin'", "Youth of the
Nation", and "Outkast". After that there is a behind the scenes look
about P.O.D. called "Into the Satellite". There are 100,000 copies of
the Limited Edition Satellite.
"Love
is very very very very very very beautiful For your other
lyric questions, go to TheMessenjah.net
and click on "lyrics."
Ridiculous was originally a demo song and those lines
were always sung, but for some reason they were just left out of the
studio version.
The Satellite guitar tab book notes spell the word as
"pusher." Some say he is saying "pushaaaww!"
A "satellite" is someone that has passed on (such as Sonny's
mom) and is watching over us, or it can also be used to mean God.
Traa: There started to be something very celestial about
it so we decided to title it "Satellite". It had that vibe so we went
with it. Sonny has always felt that since his Mom had passed away that
she is watching over him. That is what the song "Satellite" was written
about. -www.shoutweb.com
They are talking to their critics who tear them down a
lot. Some people say they're not Christian enough, some people doubt
their beliefs, some people mock them for their beliefs. The song is
a message to them.
Shoutweb: For the "Youth of the Nation" tour you are flying
the band Blindside over from Sweden to open for you. Christian, their
lead singer, is on track 10 called "Anything Right". Who is that directed
song towards? Traa: That song is directed towards everybody. It wasn't
just P.O.D. There are people who want us to be a part of their group
and want us to say "hey, we're with them."
Shoutweb: You mean like, "You're in our posse?" Traa:
Right. And I guess that song is really a common emotion that we feel
because you can't please everyone. Sometimes you feel that you just
can't do anything right. It's just something that we wanted to talk
about.
Shoutweb: Things you're dealing with at the time will
come out in your songwriting and in the lyrics. Traa: Like you were
saying, people want you to be in their "posse" and want you to live
by their rules. If you don't live by their rules then they're not happy.
They can't put us in a box. Nothing defines who we are except for P.O.D.
Last spring, before heading north to L.A. to record their
new album, Satellite, P.O.D. holed up in their rehearsal space in Santee,
a quiet bedroom community northeast of San Diego, to rehearse the new
material. They were on their way to practice when a student at nearby
Santana High School pulled out a pistol and opened fire, killing 2 and
wounding 13. When the band heard the news, they immediately wrote "Youth
Of The Nation", a wrentching account of the killing and a heartfelt
plea to stop the violence. - SPIN Oct 01
Translated into English, he says "Now its over, let's
go to Inga in Sweden."
Around 85 percent of Christian bookstores across the country
have refused to carry the band's latest record, Payable on Death, because
of its artwork, which depicts a naked woman with butterfly wings, her
arms crossed over her breasts and a banner with the word "Sanctus" (a
Latin word for the sung part of the preface in Mass) across her nether
region.
The bookstores' main complaint is that you can see the
woman's pubic bone, a spokesperson for the band said, but they're also
unhappy that the artwork uses a sacred word in a sexual manner. "This
is sad, not because P.O.D. need to be carried in those stores, but because
for thousands of years the church led the world in great art and music,"
the band said in a statement on its Web site.
In 1999 many Christian bookstores refused to carry the
band's major-label debut, The Fundamental Elements of Southtown, unless
the artwork was changed, so a version with a completely black cover
was printed for those outlets. Before rejecting Payable on Death, bookstores
asked P.O.D. to create new cover art, but the band refused, P.O.D.'s
spokesperson said. - mtv.com
HM: CJ asks if you can give any insight into the meaning
of your new self titled album’s cover art work and the individual logos
on it? Interviewer: How did the band decide what image to use
for the cover of their album? The guys wanted something beautiful for the cover so I
used my wife, Paula, as a model. Mythology often portrays the human soul as a butterfly
fluttering and shimmering in the sunlight. Everywhere this fluttering
seems to equate with fire and the inspiration of the divine spirit that
energizes life, with the breath of life. The caterpillar's emergence
from an imprisoning form is most often associated with the theme of
rebirth and resurrection. In spiritual terms this is the release of
the soul from the limits of the material world. The transformation of
these delicate creatures hints at a process of life moving to infinite
life.
Written by Pat Hinkley - danielmartindiaz.com/pod.html
The words are in Latin. Here are the words and translations:
Each symbol is each member’s logo. Go to the bottom of
this page to see which logo belongs to whom: danielmartindiaz.com/pod.html
HM: CJ asks if you can give any insight into the meaning
of your new self titled album’s cover art work and the individual logos
on it? Interviewer: You’ve been drawing symbols for each of the
band members. How did that evolve?
The first single ‘Will You’ obviously works on two levels.
There is uncertainty about a relationship and uncertainty about a career
as well, isn’t there?
Sonny: It definitely has that twist on it, but I guess
anything in life is always a question of, you know: “Will it exist tomorrow,
will it be around, will it be the way I want it to be, or will it be
the way I hope it is tomorrow?”, you know. I think initially when it
first started it was always, you know, I guess it did start off as a
kind of a love type of song, you know, we’ve never really done that
kind of vibe, you know, relationship-wise, and I think it’s just an
observation of some of my surroundings and, you know, life is tough
as it is, and definitely if you find that one that you love, make it
work. I think you need that person in your life, you know, no matter
what you go through, no matter the hard times. You gotta make it work.
~Sonny PayableonDeath.de - "Generic Radio Interview"
In the spirit of new beginnings, Sandoval wanted to cover
new ground with the album's first single, "Will You.” Instead of singing
about spiritual strength and perseverance, Sandoval decided to try to
pen a traditional love song.
"We always said we wanted to do something like that, but
it just kinda turned darker than your average 'I love you' type of song,"
he said. "It's about sticking with the one you love and putting up with
that person and being there through thick and thin." ~Sonny (MTV.com
- "P.O.D. Go Back to Their Roots, Insist They're Not Preachers")
Regarding the distinct message of “Will You,” Wuv remarks,
“We never really did a love song before. It’s directed more towards
being on the other end, asking for forgiveness. It touches on the tragic
part of a relationship, but it’s something we all go through.” ~Wuv
-Mean Street Magazine - "P.O.D."
Like their music, the video for P.O.D.'s "Will You" is
filled with illustrations of discord and frustration. The message in
each is to persevere in the face of adversity and — not surprisingly
— do unto others as you would have them do unto you. One scene involves
a maverick punk-rock chick being ostracized by a popular girl. Later,
a guy aggressively attempts to coerce the preppy girl into being intimate
with him, after which the punk girl is there to lend comfort. Other
stories include an interracial couple who get harassed at a party but
turn the other cheek, and a youth who must support his abusive alcoholic
mother. www.mtv.com/news/articles/1479614/10072003/pod.jhtml
We always wanted to do a love song, and it started out
from just hearing the music. I was listening to the guys play the music
before we had vocals, and that question just came up in my head: "Will
you love me tomorrow?" You look at everything you know to be real and
you wonder, will it be there tomorrow? But it became a relationship-on-the-rocks
song more than anything else. - Sonny to MTV.com 2003
S is the 19th letter in the alphabet and D is the 4th,
so 1904 = SD = San Diego (P.O.D’s hometown). 619 is the SD phone number
area code. Thanks to DJ Rue (Zion Noiz gear.com) for the explanation!
The three art cards are some more exclusive copies of
Daniel Martin Diaz’s amazing work. The three are: heart- “love”, eye-“faith”
, skull-“death.” 1500 of all 1 million cards (500 from each design)
were signed by all the band members. You can see his artwork for P.O.D.
here: click here
Interviewer: Tell me about the cards, how do they fit
into the picture? Daniel Martin Diaz: They symbolize love, faith, and
death. The idea that I got for them was to create these cards that look
like they’ve been around for hundreds of years. So when I sat down to
create them, I put tea stains and weather them to stress them and to
create a real old, ancient kind of aesthetic so when people open the
CD and they get that card its as if they’re getting something from the
past. For some reason that’s always the trip I’m on in my art. I have
this connection to the past and I feel everything that everything I
do artistically I try to capture the spirit and the mysticism of the
past. So it’s a deep connection with me. One thing that I’m really trying
to do for P.O.D. is to create something that 10, 20 years from now they
can be happy with. So I wanted to try to create something classic and
will stand the test of time. P.O.D.’s music has so much depth and power
and struggle and life in it and those are the kind of things that I
always look for in my artwork so I think it was a really great connection
that we’re working together because it seems like we’re seeking the
same thing.
The first million copies of “Payable On Death” came with
a demo of the Playstation 2 game “Amplitude.” In Amplitude, the player
recreates the song to how they want it. In the demo, the player recreates
the song “Space”, which is not on the actual album. To hear the original
version of “Space”, one must put the album in their CD-ROM and then
follow links to download the song.
The only way to see the full-length features is to watch
it on a Playstation 2 console. However if your CD-ROM drive is also
a DVD-ROM you can see some highlights from the DVD features. Just look
on the front of your CD-ROM drive, and if it is a DVD-ROM, you will
see the words “DVD-ROM” printed on there.
He is one of the most outstanding guitarists of all time.
It is rumored that when Jimi Hendrix was asked “How does it feel to
be the greatest guitarist of all time?” he responded with “I don’t know,
you’d have to ask Phil Keaggy.” Glass Harp, one of his first bands,
helped him earn major respect and get a big spotlight. He started following
Christ in the 70’s and then began a solo career. He plays on the tracks
“Revolution” and “Eternal” on “Payable On Death.” You can read more
about this extremely gifted guitar player here: PhilKeaggy.net
It was a hot day, so the band members changed shirts several
times to keep cool, it's not your imagination! Also in true P.O.D style
they wanted to promote some of the bands they know.
There has not been a statement of who they are, but the
pictures are a little twisted so you can't see what they really look
like. That adds to the eeriness of the video, probably also to avoid
being in trouble for using a real person's likeness. The kids lip-singing
at the end were all from a high school somewhere in the midwest.
The guy in the video is going about his normal routine
of skateboarding, surfing, and seeing his girlfriend. After surviving
a car crash, he realizes how precious life is and how he shouldn't be
taking it for granted.
Traa: The idea about that song is pretty much not to take
life for granted, you know. I mean, if you've seen the video it's pretty
much about this guy, pretty much he goes through, you know, the perfect
day for him, you know, where he's spending time with his girlfriend
who he loves, and just surfing and skateboarding and stuff like that,
and he gets in an accident. Well the song pretty much is about not taking
life for granted. A lot of people have a tendency to take life for granted
or, you know, nobody's promised tomorrow, you know, life could end in
a second, you know what I mean, and it's like, you know, just enjoy
it when you have it, you know, and be grateful that we have breath.
-www.undergroundshow.com
The Alive video shown on TRL, the "censored" version,
had fewer scenes of the man being tossed around in his car during the
wreck. Also in the Youth of the Nation video, a scene of the girl sitting
on top of the car was cut out on TRL, probably because the station feared
that it would inspire kids to sit on top of a moving car.
"What turned them on to us was a lot of our biblical concepts
and themes, and this movie has a lot of biblical themes, and so they
wanted to keep that vibe," Sandoval said. "I kind of got the concept
from Daniel interpreting King Nebuchadnezzar's dreams in the Old Testament
and ... then all of a sudden I go back and watch 'The Matrix' again
and that's what Laurence Fishburne tells Keanu Reeves, that the Matrix
is a computer-generated dream world. So I was like, 'I'm onto something.'
"
The Wachowski brothers, who created "The Matrix" and its
sequels, had ideas for a video, but scrapped them when director Marc
Webb submitted his treatment, which creatively portrays P.O.D. in parallel
universes.
"'The Matrix' has a lot of references to other classical
literature, so one of the things I kind of picked up on was this life
through the looking glass thing, this 'Alice in Wonderland' thing,"
Webb explained. "I kind of like the idea of doing something that happens
on the other side of the glass. So we decided to do a concept with two
identical performances on either sides of a mirror."
Webb even configured the cameras so the two shots look
like reflections of each other. In one the band is playing right-handed,
in the other, left-handed.
"One setup is like the Nebuchadnezzar, which is the ship
from 'The Matrix' in the real world, and the other side is this kind
of 'The Matrix' reality, which is a little bit more stylized," Webb
said. "Everybody's wearing black and is cool. They move a little bit
faster and look a little bit glossier and do some crazy, crazy stuff.
We're doing some stunts with the guitar player smashing his guitar against
the bass player and Sonny does some stuff with blocks."
Webb's original treatment required the band members to
shave their heads, but that concept was quickly vetoed.
"I've been growing these dreads for six years," Traa said.
"No way!" - www.mtv.com/news/articles/1471164/04092003/pod.jhtml
"Southtown" on the Warriors EP does not have the second
stanza that is sung on FEOS ("One love.... diamond in this rough") and
it is 23 seconds longer than the FEOS version. "Draw the Line" on the
Bonus CD has some different guitar and sound effects. The song "Sabbath"
on the Warriors EP is just an instrumental version of "Follow Me". Other
than that, there are only some slightly different vocal and sounds,
nothing major.
In "Set Your Eyes to Zion", it is Sonny explaining what
Jah means to someone. It got left on the recording, and the band decided
it sounded cool, so they left it there
In "Hollywood"- "So you wanna be a superstar? Down here
in Hollywood, everybody is a superstar, down here in Hollywood"
In "Bullet the Blue Sky", Sonny is saying something like
"For God so loved the world that He gave His only begotten Son, that
whoever would believe in Him would not perish, but have eternal life.
Everlasting life in the name of Jesus Christ just believe", pretty much
John 3:16.
Thanks to Matthew: There is backmasking on Alive (the
bridge before "now that i know you...."), It's very subtle but I definitely
made out "And now that I know you"...so it's probably just the rest
of those lines. It kind sounds like wind blowing when you listen to
it.
In
the opening of Coming Back- "Tell em' Brotha" and in Three in the Power
of One's opening: It was given (or "My task was given")/I have the Spirit
/I have the Spirit /I have the Spirit /I have the Spirit"
For
your other lyric questions, go to TheMessenjah.net and click
on "lyrics."
The band often played this song live (one instance was
at Cornerstone 2000), but they changed around some lyrics and changed
the name to "School of Hard Knocks" and it became the lead track on
the Little Nicky soundtrack.
It is a song that was originally recorded during the Satellite
recordings, but never made it onto the album. In November 2002, they
released a maxi-single of the song "Satellite", which has "Critic" on
there.
The band recorded the song "Whatever It Takes" and "Bless
Me Father", and "Whatever It Takes" was put on one of the two soundtrack
discs. Some of "Bless Me Father" can be heard during the movie.
P.O.D. covered the Run-DMC song "Christmas in Hollis",
changed a few of the words, and gave the song to California's radio
station KROQ to put on a compilation CD in 2001.
It is a non-album song that was put on the “Will You”
maxi single.
Traa plays a Warrior bass: Warrior Instruments
In the past, Traa has played a Warwick 5 string: Warwick Traa named the following in the November 2003 Bass Player
magazine: At live shows Traa plays: Wuv plays Pearl drums and uses Vic Firth 7A sticks: DRUM! Had the following listed as Wuv’s drumset in the
Nov/Dec 2003 issue:
Drums Cymbals: Zildijian Wuv also uses Audix mics, Vic Firth sticks, and Remo heads.
He mentioned that he used a different snare on each song.
mics the band uses: EV mics
All of the members use TKL bags and cases for their instruments.
TKL.com
In the Oct 2003 Guitar One issue, Jason says he is a big
fan of Mesa/Boogie and uses PRS on “straight rock stuff” but Taylor
on acoustic. He wants to try out Garrison and Gibson for acoustic stuff
as well. Howard Benson said they used Leslie Cabinets and Roland JC-120.
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